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Apparently "expos" is taking on new meaning for the class of 2012 : Fly By has discovered an eager group of first-year men "expos"ing themselves on the web. Video after the jump. [youtube=http://www.youtube.com/watch?v=l9H1bQdT8Pw]A video posted on YouTube features six young men, presumably first-year residents of Canaday Hall, getting down and dirty in the basement of the newest -- but perhaps not cleanest -- freshman dorm. Although there are no women to speak of in the video, it is set to the Britney Spears song "Womanizer". And though the video is sans nudity, here are some highlights...
Fresh off its first victory at Penn in 18 years, the Harvard men’s basketball team broke another streak, albeit a smaller one, as it beat Columbia for the first time in six games 72-63 Friday night at Lavietes Pavilion behind a balanced team attack, avenging a last second loss to the visitors two weeks...
...guard Andrew Pusar’s three with just under eight minutes left made it 56-41. But Columbia was not done and looked to rally as it had in the first meeting. Tough defense and some fine shooting in a two-minute span closed the gap to just six at 58-52 with 4:21 left. Then the Crimson ran the shot clock near to its finale on its next possession and McNally found himself with the ball and well covered just inside the arch. That didn’t stop him from throwing up a high-arching shot...
...problems with anger management, which she never admits to herself or to others.What makes the two parts so disparate in quality, then, is not the stories they tell, but the ability of the actors to convey them. In a church-going family that tries to educate her, the six foot five Madea is a person of extremes: demanding yet forgiving, playful yet violent. But whether pulling a gun on her relatives at a houseparty or conveying deep hurt when her pothead brother (also played by Perry) ridicules her weight, Madea is a credible character—a madwoman played...
...intends to forage a better life in the United States. But disaster seems to be the family’s travelling companion, and as her mother’s mental instability becomes crippling, Joon’s father leaves the family. Unable to convince her mother to speak six months after a hospital stint, Joon abruptly leaves home at the age of 13. The rest of her adolescent life is spent on the streets, in and out of shelters, motels, and abandoned apartment buildings, and the bulk of narration is devoted to the steady incineration of childlike innocence.As Joon experiences...