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...sixteenth century. Locked in the Tower of London is Colonel Fairfax (Garland Withers), condemned to death as a result of a jealous relative's evil machinations. Everyone loves Fairfax, particularly Sergeant Meryll (Douglas Freeman) of the Tower yeomen and Meryll's daughter Phoebe (Lisa Zeidenberg). Maneuvering on their own, they seek to free the condemned man--Meryll in appreciation of Fairfax's past heroism, Phoebe in anticipation of the captive's predicted amours...

Author: By Jess M. Bravin, | Title: A Little Nice Music | 4/18/1986 | See Source »

...would be wrong, though, to attribute our longing to escape to modern ills alone. In the late sixteenth century, Montaigne wrote: "The evil means men use in our day to push themselves show clearly that the end is not worth much. Let us reply to ambition that it is she herself that gives us a taste for solitude. For what does she shun so much as society? What does she seek so much as elbowroom...

Author: By Daniel P. Oran, | Title: Back Again | 12/9/1985 | See Source »

...Blair '84, $1500, for her senior thesis entitled "Truth and Method in Sixteenth Century Science. The Case of Peter Ramus"--Assistant Professor Michael H. Shank...

Author: NO WRITER ATTRIBUTED | Title: Hoopes Prizes | 6/7/1984 | See Source »

...film begins on Samantha Baker's (Molly Ringwald) sixteenth birthday, but soon shows that turning sixteen is not "sweet," adolescence not as idyllic as it seems in retrospect. The film is packed with the special pains of the age--embarassing crushes, parents who never fail to miss the point, and a perpetual crisis of self-confidence Sixteen Candles is also filled with the familiar cast of characters, however, Hughes explores the stereotypical "geek," "studly guy" and "awkward freshman" with little of the predictability that characterizes most films about adolescence. Hughes instead captures these awkward years with a rare blend...

Author: By Rachel H. Inker, | Title: Cardboard Adolescence | 5/18/1984 | See Source »

SPRING HAS BEEN a long time in returning to Cambridge, and all the seemingly endless darkness, clouds, and rain, fire murky, malevolent impulses find their perfect expression in the Mather House Drama Society production of Antonin Artaud's The Cenci. The little-known play, set in sixteenth century Italy, details the family problems of the slightly offbeat Duke of Cenci, who in the course of the play turns Oedipus on his ear by killing his sons and sleeping with his daughter...

Author: By Cecil D. Quillen, | Title: Delightfully Absurd | 4/27/1984 | See Source »

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