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...compositions written considerably after the sixteenth century were, in fact, performed, but the late Renaissance idiom so strongly pervaded the evening that I, for one, found myself judging these other works by 16th century standards. Thus Verdi's setting of Dante's Hymn to the Virgin Mary seemed maudlin after the more ethereal fervency of Palestrina. I do not know whether Verdi's melodramatic climaxes and sensuous cadences are inherently unsuited for religious music, but their operatic association have certainly made them so for me. Even Mozart did not fare well in such company, perhaps because the firmly established tonalities...

Author: By Alex Gelley, | Title: Glee Club Concert | 3/16/1953 | See Source »

...long-playing release by Cambridge Records (CRC 101) he leads the Harvard Glee club in seven pieces of fifteenth and sixteenth century church music. Once again he attempts to reproduce the original performance practices. Instead of the modern ideal of polished clarity, he stresses the vague outlines of the phrases. Instead of using an acoustically perfect hall, he makes the recordings in the Busch-Reisinger Museum, whose stone walls most nearly duplicate the resonance of Renaisance churches. But these are not more pedantic touches. While there is very little in a Handel oratorio that requires an eighteenth century type performance...

Author: By Lawrence R. Casler, | Title: Glee Club Recordings | 2/4/1953 | See Source »

Fifteen minutes later, when Fenton swung into his final approach, visibility had dropped to one-sixteenth of a mile, a blanket of fog and smoke still hugged the ground. Fenton chose to go around. What was the weather at nearby Seattle-Tacoma Airport? Visibility ten miles, ceiling unlimited. That was the last the tower heard from Fenton. The big plane roared over the field, slashed into a stand of fir trees, and fell, flaming, in an open lot outside the city...

Author: /time Magazine | Title: DISASTERS: Journey's End | 12/8/1952 | See Source »

...post-at a champion's odds of 1 to 5. Unbeaten in eight starts, at distances up to 6½ furlongs, the two-year-old Dancer had to answer one more question: Could he go a distance? In the East View Stakes, at a mile-and-a-sixteenth, he answered the question...

Author: /time Magazine | Title: Sport: Superlative Colt | 11/3/1952 | See Source »

Harp Music (Nicanor Zabaleta; Esoteric). Sixteenth century Spanish music of musical as well as archaic charm, and modern French and Spanish pieces, all composed originally for the harp. Zabaleta is a rarity in the flamboyant field of harpists, a miniaturist who specializes in neatness and detail. Recording: lifelike...

Author: /time Magazine | Title: Music: New Records, Jul. 28, 1952 | 7/28/1952 | See Source »

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