Word: sixteenth
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...finish. Playing together over the drenched, sodden course, they were respectively three and six strokes behind Hagen's score at the ninth hole. On the tenth, Alliss got a birdie 2, followed by four pars. On the fifteenth he got a birdie 3 and on the sixteenth dropped a 15-ft. putt for another 3. He had a par 4 on the seventeenth. On the eighteenth, he and Farrell both needed birdies to tie Hagen. It seemed to be Farrell's turn but his putt for a 3 rimmed the cup and stayed out. Alliss looked...
...needed only a 38 on the last nine holes to win. Knowledge of his apparently impregnable position made him nervous. He had a six at the twelfth, a five on the fifteenth. Needing three par-fours now for a tie, he dubbed a twelve-inch putt on the sixteenth, took a five instead of a four. This blunder, which would have destroyed the poise of most golfers, appeared to invigorate Von Elm. He played the seventeenth in four, put a mashie shot 15 feet wide of the pin on the eighteenth green and sank the putt, almost angrily...
These last are of the work of the French weaver, Millefaeur, and of a Flemiah gothie workshop, respectively, and date from the early Sixteenth Century...
Representative work of the Itaham and German artists of the Fifteenth and Sixteenth centuries, some pieces by Rembrandt and Nanteuil. Fifteenth century English etchings, including Whistler and Meryon, and Nineteenth century lithographs, are to constitute the collection, which is owned by the Fogg Museum. Especial attention has been called to some excellent specimens of Schenganer's later work...
...scope of the historical pictures is extended to include a Jan David de Heem, obtained through the cooperation of the F. Kleinberger Galleries of New York, a sixteenth-century interior attributed to Quentin Massys, lent by the Museum of Fine Arts in Boston, and a South-German interior lent by A. S. Drey, of New York. Dunean Phillips, of Washington, is contributing a Monet and a Bonnard...