Word: ska
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Dates: during 2000-2009
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...going her way. The sweaty crowd at London's small but sophisticated Bush Hall last Monday already knew she was at the top of the charts - but cheered anyway. Even the blistering heat wave baking Britain's streets seemed timed to make Allen's summery blend of laid-back ska, pop and hip-hop seem all the more appropriate. Her single Smile is already as inescapable as the heat, wafting from open windows and workmen's radios alike. [an error occurred while processing this directive] The Bush Hall performance is also 21-year-old Allen's first full-length...
...DIED. Desmond Dekker, 64, Kingston welder turned rocker who introduced ska and reggae to the world beyond Jamaica, scoring a Top 10 single in both the U.S. and England with his 1968 song Israelites; of an apparent heart attack in Surrey, England. Before most people had heard of Bob Marley, Dekker chronicled Jamaican street life in songs like Rude Boy Train; 007 (Shanty Town), which appeared on the sound track to the film The Harder They Come...
...long tail, says Carnegie Mellon's Michael D. Smith, one of the paper's authors, is to cater to "significant heterogeneity in taste." Even though a majority of us may like U2 on our MP3 players, for example, there are enough of us who enjoy string quartets or British ska to make it profitable for those who sell them...
...half of the chronologically-ordered “One Love” rarely deviates from its heavy 1-3 beat emphasis, its plodding quarter-note basslines, or its clumsily-executed, often out-of-pitch multi-part backing vocals. It’s 90 consecutive minutes of primordial ska, and it’s tiresome. This isn’t for lack of talent. Marley’s tenor is both rich and youthfully light, perhaps more passionate and expressive than on his later work. “I’m Still Waiting” is one of his more...
...boring that it feels as though it never lived in the first place. Kate Moss’ cutesy cameo on “La Belle et la Bête” starts the album off on a shaky, self-indulgent note. And both the slack ska of “Sticks and Stones” and the bizarre pseudo-Reggaeton of “Pentonville” sound horrendously out of place. As the record progresses, the “shamble” of the group’s name makes more sense. The album becomes slower and more listless...