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Bassist Joe Gittleman insists that the Mighty Mighty Bosstones is not a rock-ska hybrid exclusively designed for or accepted by college-bound students like...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: At Home in Beantown | 12/5/1997 | See Source »

...that is what the Bosstones are really all about: Connecting with the genuine fan base and music scenes that embraced them from the beginning by rocking out with melodic ska-core crunches and lead singer Dick Barrett's guttural chants that so many crowds flock to experience. Although they are "a constant, hardworking touring band playing over 300 shows a year," the Bosstones know that "Boston is a great place to play" and their hometown is where they experience the warmest embrace...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: At Home in Beantown | 12/5/1997 | See Source »

Boston, with its huge population of willing college and adolescent devotees and its history of producing great ska bands, served as a perfect city to nurture the band from the outset. Growing up in Boston exposed Gittleman and other members to old school Boston punk and ska bands such as Bim Skala Bim, DYS, Stranglehold and the Dogmatics. The stage was set and with the only changes being a new drummer and added horns in 1990, the band has been consistently blasting out their defining ska-core sounds for over ten years with a constant line...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: At Home in Beantown | 12/5/1997 | See Source »

Another significant upcoming performance for the Bosstones is a New Years Eve jam ("The Last Blast of '97") at the Worcester Centrum. A couple of their favorite contemporary bands, ska veterans Bim Skala Bim (yes, they're still around and making great music) and the street-smart punk posse Dropkick Murphys, open up the wholly Providence and Boston-based concert...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: At Home in Beantown | 12/5/1997 | See Source »

...Devil's Night Out would have done great this year," says Gittleman, a little too unconvincingly. The comment is certainly an exaggeration, seeing that the release was too rough around the edges for any commercial radio station to gladly welcome. The atmosphere of rock music, especially the "ska craze," described by Gittleman as being generated by "radio and MTV getting too excited," was more likely the boost for the popularity of Let's Face It. Devil's Night Out never would have made the newly defined...

Author: By Peter A. Hahn, CRIMSON STAFF WRITER | Title: At Home in Beantown | 12/5/1997 | See Source »

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