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...pairs you need lifting strength. For singles you need to be light enough to jump well." But he became a chronic advice taker, and not of the push, push, push variety. Judges and other rinkside seers are very free with their opinions. Says the skater: "They'd say, 'Skate faster, put in a spin here, more footwork there.' It was a great mistake to listen...

Author: /time Magazine | Title: SPORT: EDGE OF A DREAM | 3/18/1996 | See Source »

After finishing a disastrous eighth in the 1995 nationals, Galindo again took stock. He stopped training for a while, mostly to earn more money, and decided that henceforth he would skate for himself only. He is known for his musicality and clean, balletic line, and he and Brancato spun out a simple, elegant short program to Johann Pachelbel's Canon. In a way it was a declaration of independence. Says Galindo: "Everyone else had fast short programs, so I wanted a slow one." The long showpiece was fashioned with jazz dancer-choreographer Sharlene Franke, who called the staccato moves...

Author: /time Magazine | Title: SPORT: EDGE OF A DREAM | 3/18/1996 | See Source »

When the inseparable Rudy and Laura start to talk, the most common opener is, "After we won the nationals..." The victory truly changed their lives. Now there is an agent, a tour, deals in the works. Before the nationals, the big money in skating bypassed this modest team. Even before the tragedies of the early '90s, life had not been easy. Jess Galindo had been a busy trucker, carting rocket fuel from Gilroy, California, to Carson City, Nevada. When both his younger children pleaded for skating lessons, he provided them--and settled for a mobile home. Rudy and his mother...

Author: /time Magazine | Title: SPORT: EDGE OF A DREAM | 3/18/1996 | See Source »

...SKATE!" which means to skate quickly down...

Author: NO WRITER ATTRIBUTED | Title: Memories From the Penalty Box | 3/6/1996 | See Source »

...brightest idea is to call on Stockard Channing, ace resuscitator of mediocre films (see her work in Smoke and To Wong Foo), who arrives mid-movie to perk things up. She's a local anchor who oozes compassion but, off-air, is so cool and hard you could skate on her. She meets Tally for a drink, asks, "Is that actually a banana daiquiri?" and acidly adds, "Spring Break, Lauderdale...

Author: /time Magazine | Title: CINEMA: HAIR TODAY, STAR TOMORROW | 3/4/1996 | See Source »

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