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Every so often, a writer catches lightning in a bottle. Williamson's magic moment came last December, when millions of shrieking teens watched Drew Barrymore try to guess the original killer in Friday the 13th and, ahem, choose incorrectly. Cannily crammed with the likes of Neve, Courteney and Skeet (if these names seem meaningless, you're just in an obsolete demographic) and directed with twisted bravura by the incomparable Wes Craven, Scream became the highest grossing horror movie ever, reviving the moribund slasher genre and lifting its author into Hollywood's screenwriting elite. When the Williamson-scripted I Know What...

Author: /time Magazine | Title: THE BARD OF GEN-Y | 12/15/1997 | See Source »

...wasn't just that the image was fuzzy, which it was. And it wasn't just that it sparkled with static, which it did. It was that the mammoth Mir station, the putative target in this orbital skeet shoot, was all but invisible. The screen was filled with an image of a mottled Earth rolling below the station, while a tiny, pixilated smudge--Mir itself--vanished and reappeared as it flew from the white clouds to the black oceans and back again. Tsibliyev, however, saw even this small target as a good target. With little hesitation, he engaged one joystick...

Author: /time Magazine | Title: A BAD DAY IN SPACE | 11/3/1997 | See Source »

This is the first version of his death. On June 2, 1976, Dillon, a lawyer, and his friend Stephen Scher, a physician, were skeet shooting at Gunsmoke, a hunting camp in northeastern Pennsylvania owned by Dillon's family. According to Scher, as the two of them blasted clay pigeons, Dillon caught sight of a porcupine and, after grabbing Scher's 16-gauge Winchester pump-action shotgun, ran off after it. Scher told police that he heard a shot, ran toward it and found Dillon 250 ft. away with a fatal wound to his chest. He had apparently tripped over...

Author: /time Magazine | Title: DEATH IS IN THE DETAILS | 10/27/1997 | See Source »

Unless he has adapted to the new era, as has the one who calls himself Juvenal in writer-director Paul Schrader's sly and nicely understated adaptation of novelist Elmore Leonard's Touch. Played by Skeet Ulrich, he has done time in the wilderness, suffers the stigmata and can cure the incurable by the laying on of hands. Otherwise, though, he's a cool dude. He likes girls, shows no particular interest in spreading any sort of gospel and turns a politely bemused face toward the hustlers and lowlifes who swarm around when word of his preternatural healing gifts starts...

Author: /time Magazine | Title: CINEMA: JESUS CHRIST, SUPERDUDE | 2/24/1997 | See Source »

MOVIES . . . TOUCH: Writer-director Paul Schrader's sly and nicely understated adaptation of novelist Elmore Leonard's 'Touch' is the story of Juvenal, a Christ figure who has adapted to the modern era. Played by Skeet Ulrich, he has done time in the wilderness, suffers the stigmata and can cure the incurable by the laying on of hands. Otherwise, though, he's a cool dude. He likes girls, shows no particular interest in spreading any sort of gospel and turns a politely bemused face toward the hustlers and lowlifes who swarm around when word of his preternatural healing gifts starts...

Author: /time Magazine | Title: Weekend Entertainment Guide | 2/16/1997 | See Source »

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