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...closing line in the biographical sketch for Lightbulb says that Woody Allen's "one regret in life is that he is not someone else," but in no work yet has he made a serious effort at being anyone but himself. Maybe the Allen character in this play is Paul, but it's hard to see how or why and impossible to cast the author as anyone else...

Author: By John F. Baughman, | Title: Allen's Power Failure | 4/27/1982 | See Source »

EVER SINCE THE DAY Washington Irving disembarked in Liverpool to sketch the English countryside. American writers have ventured to foreign locales in search of a sensibility they have felt they could only capture abroad. Henry Adams and Ezra Pound. Ernest Hemingway and F. Scott Fitzgerald all passed their moments in Europe against the backdrop of a culture that far overshadowed their...

Author: By Siddhartha Mazumdar, | Title: On the Road, Again | 4/20/1982 | See Source »

...magic. Legend has it that Fred Astaire would break in a new suit by throwing it against a wall until it yielded up a spontaneous modification of its original cut. Armani wanted the modification without the wall, a notion that could easily have been lost in the translation from sketch to hanger...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

Beginning usually with a sketch and a bolt of fabric, Armani will work out each of the 500 pieces he designs for his collections, most of which he will offer to buyers in a choice of three colors or fabric combinations. Occasionally, he will wrangle with Galeotti over the practicality of a design ("He will insist I've gone too far, that something is just not salable"), and often he sounds out staff members, whom he calls "my family." But all the designs, even his commissioned uniforms for the Italian Air Force, are Armani's. Unlike some...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

...quite the appropriate term For Cheever has, over his career, penned more arabesques than stories. Moorish in their conspicuous lack of breathing things, these works give the feeling that their "characters" are really the pointed little white spots that move in geometrically predestined directions across an oversized etch-a-sketch board. The spots, typically upper middle class suburban or uptown New York spots, meander, speedup and decelerate as they course ineluctably through the turns Ultimately, the design ties itself off with a sudden bizarre crook--a child gets shredded by a ski lift, a husband is shot by his wife...

Author: By Daniel S. Benjamin, | Title: Paradise Questioned | 3/13/1982 | See Source »

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