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...also a passion-play, as Bergman's intended title implies, in which psychological stereotypes act out their psychoses in vain hopes of redemption. The director concentrates on universal patterns of interaction, and thus requires only a brief background sketch for each character: Andreas Winkleman has retreated into an emotional state of non-expression after being abandoned by his wife and lives alone in a small cottage, "a prison as much as a refuge." He soon meets Anna Fromm, a widow who has fantasized her late marriage into a monolith of Truth and Happiness, despite strong indications that she actually murdered...

Author: By Jim Crawford, | Title: At the Park Sq. Cinema Another Look at Anna | 8/18/1970 | See Source »

...have determined to trav?r own, seeking the kind of free ? space in which to observe, i?, write, only to find that a wom? ever as free as a man to bum ?ountry or through Europe? ?y to sit down in a park with a book or a sketch pad for more than five minutes without some character feeling it his obligation to make an attempt at picking you up? Of course you can get rid of him but your peace of mind is shattered for that...

Author: By Sue Jhirad, | Title: Women: Finding a Life of One's Own | 8/18/1970 | See Source »

...party. He never devotes satisfactory attention to the relationship between Stevens' and William Carlos Williams. He lets slip that Sevens' wife Elsie frequently did not like his poetry, and then he never mentions her in relation to her husband's work again. Nor does he ever try to sketch in any of the psychological tensions of Stevens' married life. He lets slip that Stevens was fond of candied violets, that the director of the Louvre doubted Stevens' taste in paintings, but such details are ahnost always involuntarily offered. They are pinpoints rather than panoramas...

Author: By Martin H. Kaplan, | Title: Wallace Stevens: Poetry as Life | 8/14/1970 | See Source »

...have known all its discomforts," he said. "You have to curse, fight mosquitoes, fall over rocks and skin your knees, be stung by nettles, scratched by grasshopper grass and pricked by brambles before you have really experienced the world of nature." He braved winter winds and rainstorms to sketch outdoors. One March day, inspired by a "glorious thaw," he trudged out to a nearby woods and had hardly set up his easel when a thunderstorm came up. "I decided nothing was going to stop my painting." he recalled later, "and hurriedly got my huge beach umbrella and my raincoat...

Author: /time Magazine | Title: Art: Listener to the Trees | 6/15/1970 | See Source »

...listened to the trees," he wrote. Born in Ashtabula. Ohio, in 1893, he grew up in Salem, where he and his sister Louise often romped in Post's Woods hunting spring flowers, a pastime he later recalled in White Violets and Coal Mine. Even then he liked to sketch, and in high school recorded all the local wildflowers. After graduation he entered the Cleveland School of Art. There, it was not modernist battles raging in Paris or at New York's Armory Show that influenced him, but Chinese scrolls and Japanese prints. Soon he was making hundreds...

Author: /time Magazine | Title: Art: Listener to the Trees | 6/15/1970 | See Source »

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