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...hand to the non-Celtic Mrs. Eckdorfs of this world. But he is too Celtic himself to lift more than an edge of the mist that he has spread. What is Trevor's answer? What, for that matter, is his question? His novel remains an entrancing but disturbing sketch of human weaknesses-among them man's, willingness to live with fantasies he can explain only to an old lady at the top of the stairs, who, in turn, can neither hear nor respond. What she offers is merely the silence of forgiveness...

Author: /time Magazine | Title: Books: The Silence of Forgiveness | 1/26/1970 | See Source »

...wrote John Masefield, "is a wild call and a clear call that may not be denied." Actually, for Britain's late poet laureate it was mostly a call to the rail. Describing his chronic seasickness in a 1918 letter just acquired by Columbia University, Masefield appended a cartoon sketch of himself lying in open-mouthed nausea on his bunk, with the caption: "O captain, stop this misery!" ··· He flew the 230,000 miles to the moon, and back. Now Lunar Explorer Alan Bean is as earthbound as a turtle. For a minor infraction of flight regulations...

Author: /time Magazine | Title: People: Jan. 19, 1970 | 1/19/1970 | See Source »

Clues to the making, maintenance and destruction of a fine cityscape are, however, secreted among a hodgepodge of what seems to be every available sketch, work and plan by every artist and architect who has ever worked in the Back...

Author: By Deborah R. Waroff, | Title: Back Bay The City as Art | 11/25/1969 | See Source »

...CEREMONY itself was very casual. A brief sketch of DuBois's life and the founding of the memorial park was given by Walter Wilson, co-chairman of the memorial park committee. And then those who knew DuBois-Ossie Davis and Horace Mann Bond and Frederick Lord (who colonized DuBois at his funeral in Africa)-spoke of the man on top of the flat gray boulder that will hold the memorial plaque...

Author: By Lee A. Daniels, | Title: America DuBois Memorial Park | 10/25/1969 | See Source »

...whole piece is divided into three "movements" and each one contributes the same meaning in microcosm that the whole aims at. Thus each section begins on an up note, come down in the middle and is then silently and tenderly resolved. This sketch of a musical structure is brilliantly filled out with every minute of listening space taken up by a staggering number of wistful melodies, exquisite guitar work, and, near the end, an amazingly meaningful drum solo by Ringo...

Author: By Salahuddin I. Imam, | Title: Beatles Abbey Road | 10/21/1969 | See Source »

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