Word: sketchbook
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Dates: during 1980-1989
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LARGELY NEW YORK. Lanky, limber Bill Irwin, silent in this 70-minute Broadway sketchbook, owes much to Jacques Tati and Marcel Marceau, but gags about man's obsessive relations with machines still work in a Walkman world...
LARGELY NEW YORK. Lanky, limber Bill Irwin, silent in this 70-minute Broadway sketchbook, owes much to Jacques Tati and Marcel Marceau, but gags about man's obsessive relations with machines still work in a Walkman world...
Performance artist. New vaudevillian. Silent clown. However you label limber-jointed Bill Irwin, he is one of the most winsome presences in the American theater. In the sketchbook Largely New York, which opened on Broadway last week, he wears a top hat and spectacles, carries a white cane and resembles an elongated Jiminy Cricket. All around him are people he might befriend, if only he could break through their obsessive isolation with entertainment machines -- a Walkman, a boom box, a video camera, a TV monitor. Irwin himself carries a remote control, purportedly hooked up to the tiers of curtains onstage...
There is also a true relic of the age of pulp: Dashiell Hammett's Woman in the Dark (Knopf; 96 pages; $15.95), overpriced and oversold as a "novel," but compelling on its terms as a sketchbook romance between two losers who share a fierce sense of their own integrity. Other notable reprints include Michael Gilbert's Young Petrella (Harper & Row; 222 pages; $15.95), a collection of magazine stories from the 1950s and '60s that display his trademark Scotland Yard detective with a deadpan precision of mood worthy of Simenon, and A Double Life (Little, Brown; 246 pages; $17.95), short gothic...
...elementary tools, then sit down with Spacewarp. Picture on the box looks great. Grinning boys watching steel marbles roll over course that resembles a Disney World ride for reckless ball bearings. Open the instruction book. And -- the horror! the horror! -- it looks like something from J. Robert Oppenheimer's sketchbook. Maybe the words of Johann Stonehouse, national sales and distribution manager for Bandai America, will soothe: "You're not getting your money's worth if it's not hard. It's a challenge. It's a good item for a family project." There! That's it! Family project. Just...