Word: sketchbooks
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Dates: during 1990-1999
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...incestuous, tributes to the anonymous heroes who toiled on Disney cartoons. Canemaker's Before the Animation Begins: The Art and Lives of Disney Inspirational Sketch Artists is a sumptuous introduction to the craftsfolk whose paintings suggested a mood and design for Disney directors. Hyperion has also begun a sketchbook series of drawings from its early works; the first is a beguiling Bambi. In concert these volumes illuminate the unseen artistry that helps create movie magic...
...react to this apocalyptic rubble of a '50s childhood--or to the sexual atrocities limned in Crumb's work? With the only two reactions that modern life demands: a laugh or a scream. The title on one page of a Crumb sketchbook reads, "Words Fail Me (Pictures Aren't Much Better)." But pictures allow Crumb to tell his own truth. To him, as to any artist who ascends deep into the bizarre, his work looks like reality. With care and wit, he draws his own demons and goddesses. One thing he never draws is conclusions. That is for the viewer...
Then there's Nanni Moretti, who displays a more genial egotism. Though the Italian actor-writer-director is in every scene of Caro Diario (Dear Diary) -- an episodic film that is the equivalent of an artist's sketchbook -- his is a skeptical, almost modest form of auteur hubris...
...title of his brief new work, Field Notes (Knopf; 159 pages; $20), evokes science, but what Lopez offers instead are a dozen fictional sketches from his staked-out territory at the edge of the natural world. The stories are slight, and the term note suggests sketchbook impressions, perhaps, for canvases that might someday be painted. Thus slyly discounted by their author, these spare narrations carry surprising weight. One story, Teal Creek, is nothing more than a teenager's recollection of coming instinctively to respect a rural hermit's solitude. Although Lopez is known for wavering dangerously close to poetic prose...
...looniest but in some ways most revealing part of The Class of the 20th Century is the series of messages that concludes each episode, in which participants are invited to speak directly to people of the year 3000. Their comments provide a sketchbook of the concerns, great and petty, of our age. Art Buchwald says he hopes there will be good air and good water, though "we didn't leave you any." The late Joseph Papp wishes for no more theater critics. Strom Thurmond advises a regimen of daily exercise. Howard Cosell, with his trademark bombast (we miss it), offers...