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Word: sketches (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Constantin Guys could sketch, with equal ease, a cavalry charge or a crinolined cocotte. As a war correspondent in the Crimea, he turned out sheaves of detailed drawings of battles and camp life. As a Parisian artist-about-town, he caught the elegant manners and shady morals of his contemporaries. Although he lacked Daumier's satiric bite and Rowlandson's ribald bounce, Guys's quick eye and facile technique made him one of Europe's ablest 19th century reporters. Last week, to celebrate the 150th anniversary of his birth, some of the best of Guys...

Author: /time Magazine | Title: Art: 19th Century Reporter | 2/25/1952 | See Source »

...magazine had almost nothing to say of its own growth. "This issue," it said, "is not the story of Jesuit Missions . . . It is the necessarily thin sketch of men who have labored in the greatest undertaking on earth...

Author: /time Magazine | Title: Religion: Jesuit Growth | 2/11/1952 | See Source »

...life. In a world where all truths have become relative and experimental, the only reality left is change. "The man of the Flight," Picard writes, "has no firm standard against which to measure himself. He has only the possibilities." Philosopher Picard's book is a fleeting, sometimes fearful sketch of what the world of possibilities looks like from the village of Caslano. Excerpts...

Author: /time Magazine | Title: Religion: The World of the Flight | 2/4/1952 | See Source »

...Anderson's Triumph of the Egg and Conrad Aiken's Silent Snow, Secret Snow, which somehow never made the yearly collections. Some master storytellers, among them Willa Cather, Katherine Anne Porter and John O'Hara, do not appear, while William Faulkner is represented by a mediocre sketch...

Author: /time Magazine | Title: Books: Rich Hoard | 1/21/1952 | See Source »

...Carnegie exhibition of U.S. painting. Three years ago, Guston turned his back on easy success, joined the abstractionist ranks. His latest exhibition in a Manhattan gallery features huge canvases thinly blotched with pale colors, and greyish ribbons of paint trailing, snail-like, over slush-hued backgrounds. His sketch for the exhibition catalogue, an apparently random doodle of short, jerky dashes, is a fair sample of the new Guston. His reason for the change: "I was unhappy...

Author: /time Magazine | Title: Art: One Explanation | 1/7/1952 | See Source »

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