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Marshall also enlists the entire town in a supporting role. The local sheriff (Stuart Pankin), town doctor (Henry Jones), mortician (Peter Jason) and others help construct a humorous and more importantly, credible sketch of a town which has come under siege. As much as anything, it is well scripted characters tightly-drawn by the director and almost flawlessly executed by the cast which makes Arachnophobia the success...

Author: By Garrett A. Price iii, | Title: What's Giant, Venezuelan, and Introduces Itself To You When You Open a California Coffin? | 7/27/1990 | See Source »

What Murphy was looking for when he headed up-country into the wilderness of the self was not unreasonable. He needed to find a screen character that he, and the audience, could live with comfortably over the length of an entire movie. For he was essentially a sketch artist, creator on TV's Saturday Night Live of marvelous and curiously healing parodies of racial stereotypes: Tyrone Green, Velvet Jones, the glorious Buckwheat. His best early movies, 48 Hrs. and Trading Places, permitted him the freedom to do variations on these characters, but he didn't have to carry these pictures...

Author: /time Magazine | Title: Cinema: In Search of Eddie Murphy | 6/25/1990 | See Source »

...kitchen counter at 36 Irving St. is an Etch-a-Sketch. On the grey face above the two knobs are not the usual convoluted stick men, shaky square house, or the even more usual quasigeometrical mess of random shapes and wiggles. Glaring from the screen is a squat, intricate medieval demon named Baphomet, who has a cross in his crotch, a flaming eye in his right hand and a nasty leer on his toothy face. Baphomet used to be regarded as the guardian of the gates of hell, and here, on the kitchen counter, in the squiggly confines...

Author: By John P. Thompson, | Title: Bringing Home the World: Exploring the Margins | 6/7/1990 | See Source »

Mark has an amazing talent with the Etch-a-Sketch. For a while, he did a different one every day. Hamlet holding Yorick's skull. More demons, some of them on motorcycles. Scenes from the Arabian Nights. When he went back to Cairo to visit his fiancee, after finishing his thesis, Mark said goodbye to the house with a pyramid landscape, replete with all three pyramids, a blazing sunset, a camel and himself waving goodbye in the distance. The round knobs just don't look capable...

Author: By John P. Thompson, | Title: Bringing Home the World: Exploring the Margins | 6/7/1990 | See Source »

...lobby of the NBC studios. Clay, after fending off some hecklers during his opening monologue, promised to mind his mouth: "What do I need -- more p.r.? I couldn't get more p.r. if I took out my penis and wrapped it around a microphone stand." However, during one sketch in which he played a father counseling his son about sex, several words were bleeped out (the usually live show was broadcast with a five-second delay...

Author: /time Magazine | Title: Show Business: Saturday-Night Sizzle | 5/21/1990 | See Source »

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