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...display models are mostly out of batteries except for one called "Einstein," which sounds, from its weary beep, to be operating at about one-tenth normal charge.) One machine obviously designed to increase a child's self-confidence, boasts simply "I am programmed to beat you." Even Etch-A-Sketch, once a marvelously cranky mechanical drawing toy, has been automated...

Author: By Bill Mckibben, | Title: Suckerman and His Friends | 12/5/1979 | See Source »

...that part won't ever make it on the air, thanks to the magic of tape editing. When the two actors, dressed in colonial costume for a sketch, made a mistake, they just started all over again...

Author: By Robert O. Boorstin, | Title: Hope and Randall Joke at the Forum | 11/6/1979 | See Source »

...fleeting moments, as it is by a culture based on photography, each looks like an actor's gesture, a pose-or a snapshot. This disarticulation was what Lautrec attempted, and one still marvels at the speed and accuracy of his notation, whether it was real (in his sketch pads) or feigned (in the finished theatrical lithographs). The impression that his drawing of Jane Avril's kick or Yvette Guilbert's bow took as little time as the movement itself does not hold for long: one's admiration for Lautrec's craft, for the eggshell delicacy...

Author: /time Magazine | Title: Art: Gaslight and Fallen Souls | 10/15/1979 | See Source »

Those ten laughs are good ones, and probably worth the price of admission, which is, as the show constantly reminds us, "only a buck." Almost every scene has one good gut-buster, and some have two; cleverness sparkles in the opening "trio" and the talk show sketch, among others. Besides, the laughs are very evenly spaced out around the vast Russian steppes of tedium. And if you don't feel like laughing, there'll always be a well-orchestrated Lampoon claque there to help you along. It's amazing the way these people have learned to threw their voices...

Author: By Paul A. Attanasio, | Title: Dissertation on Roast Pig | 10/15/1979 | See Source »

...Album is Didion's latest collection of these images--20 essays written from 1968 to 1978. It is a brilliant albeit occasionally disjointed collage of impressions, written with her customary journalistic eye for detail and infused with emotion. The essays discuss the '60's, portray Didion and others, and sketch California life with and deadly accuracy...

Author: By Susan D. Chira, | Title: Crippling Sensitivity | 9/22/1979 | See Source »

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