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...officer: "I don't want to go out there. I feel like a puppy that you're putting on the freeway. I don't think I can make it out there." Eventually the puppy turned into a monster. Found in his apartment last week was a sketch pad on which Bunyard had drawn pictures of a man with an animal head cutting up human bodies...

Author: /time Magazine | Title: CRIME: Harvest of Bad Seeds | 5/7/1973 | See Source »

This is Vietnam-America Friendship Week. These two films serve the Week's purpose well. They do not discuss Vietnam's political strategy, or its economy, or its social structure. They depict its people: laughing, singing, screaming, mourning. They sketch faces on a people our government would have us believe was our enemy. By portraying humanity, they fulfill a preliminary condition for friendship...

Author: By Dan Swanson, | Title: Vietnam Friendship | 4/27/1973 | See Source »

Cappella is a shift in direction for Horovitz. His previous works have been short sketches centering around single, topical social issues. But the limitations were obvious in Acrobats, a short metaphor about the dependency between a husband and his wife. Though it contained the innovative use of actual acrobats on stage playing the roles of acrobats and interspersing gymnastics with the dialogue, Acrobats offered little of lasting value. Similarly It's Called the Sugar Plum, a comedy about a Harvard student who kills another student when he accidentally slips off his skateboard under the wheels of a moving...

Author: NO WRITER ATTRIBUTED | Title: Dependency in a Surgical Ward | 3/27/1973 | See Source »

Speaking before approximately 50 women and 8 men, Farenthold gave a brief sketch of her political career. She said, "I am still working...for the day when unqualified blacks, unqualified browns, and unqualified women can compete with unqualified men in politics...

Author: NO WRITER ATTRIBUTED | Title: Farenthold, Kearns Urge Stronger Feminist Politics | 3/12/1973 | See Source »

...instance, the Met examiners found on Ingres' Odalisque en Grisaille a monogram enclosed in a circle, which Ingres' student Armand Cambon used to sign his works. X rays made by Hubert von Sonnenburg, the museum's restorer, revealed that there was no underpainting or preliminary sketches in the Velasquez portrait of Philip IV, so Met experts concluded it was probably a copy, since most great artists sketch in some tentative ideas before they produce the completed work...

Author: /time Magazine | Title: Art: Who Painted What? | 1/29/1973 | See Source »

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