Word: sketches
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...power to seize what is spiritually relevant. The monk Hakuin Ekaku meditated on a terrifying Buddhist deity and expressed that terror by simply "writing" the deity's name-the heavy strokes conveying a menace beyond what the ideograms spell out: "Blue-countenanced Bearer of the Thunderbolt." A swift sketch of two cackling women gets the inscription...
...their ideal viewer is poor and culturally deprived. Actually, the show catches the preschooler almost before his society does. Thus Sesame Street is as popular with the well-to-do as it is with the slum dweller. The kids may spark to the astonishing variety of material, but no sketch is without its preordained aim. A game is played under the academic umbrella of "Environment and Multiple Classification." Jet-plane and subway sound effects are listed under "Auditory Discrimination." Big Bird settling an argument is designated "Different Perspectives...
...Reich for his "departure from the voice of reason" and his failure to take account of the "problems, or even the concept, of representative government." Alas, Mr. Kennan sounds rather more romantic than Reich sounds utopian. To call for "frank recognition" and "public discussion" of our problems (and the sketch Kennan offers is every bit as bleak as Reich's), for legislative reforms and basically political solutions, is romantic. Recognition and reform will not come without a change of consciousness; with a change of consciousness they are inevitable...
...mouth, a hint that Andersen felt that femininity itself was a trap. In one collage that he made for Agnete Lind, the child of Louise Lind, one of his early unrequited loves, a snake shares the page with one of Andersen's own book covers, a sketch of an audience and a blue cutout doily. It is the serpent in Eden. "This," Andersen scribbled under it, "is the snake of knowledge, representing both good and evil." The dilemma of coming to grips with any work of art became the subject of another image, "Art and the Critic...
...sidewalk "ought to be interesting." His neighbor, Art Dealer Klaus Perls, replied: "Maybe I can persuade Alexander Calder to design it for us." The celebrated sculptor was delighted. "We will do Rio one better," he said, and charged no fee for his services. By May, Calder's sketch of a series of vivid geometrical shapes (including his initials) was translated into engineering drawings. Then one night recently, workmen set the design in black and white terrazzo...