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...usual, the parodies of other publications are the strongest pieces. The best one is that of the CRIMSON's own Confi Guide. Unfortunately, this one was cribbed almost word-for-word (and sketch-for-sketch) from a Poon of several years ago. But the University Gazette takeoff is marvelous; it captures that publication's "optimistic and resolute" hear-no-evil-see-no-evil-speak-no-evil tone as the world collapses around it. An imaginative Harvard Register parody attempts to portray the Dean of Freshmen as an old-fashioned aristocrat. Their Courses of Instruction is weak, not even as funny...

Author: By Mike Kinsley, | Title: Reading Matter Oh, Lampoon! | 10/3/1970 | See Source »

...seeking the kind of free mental space in which to observe, imagine, write, only to find that a woman is never as free as a man to bum across country or through Europe? Ever try to sit down in a park with a book or a sketch pad for more than five minutes without some character feeling it his obligation to make an attempt at picking you up? Of course you can get rid of him but your peace of mind is shattered for that...

Author: By Sue Jhirad, | Title: Women's Liberation Finding a Life of One's Own | 9/24/1970 | See Source »

...than a club and a puffy paragraph is worth its weight in gold brocade, Fairchild thrived. In 1957, weeks before it was shown to the buyers, he managed to get hold of a sketch of Givenchy's precedent-shattering shift, later to be called "the sack," and ran it on WWD's front page. In 1960, he got advance word of Yves St. Laurent's distinctive new silhouette for the House of Dior, which he maliciously described as looking like "a toothpaste tube on top of a brioche." Soon Fairchild was not only sitting in the front...

Author: /time Magazine | Title: The Press: Out on a Limb with the Midi | 9/14/1970 | See Source »

...straight out of Front Page, where editors shout and ink-stained copy boys scurry. A few feet away from Fairchild's scarred, wooden desk sits Publisher Brady, who starts the day at WWD by calling the top editors together for a brutal analysis of that morning's issue. "That sketch on Page One today is grotesque," he snapped at a recent session. "The girl looks bizarre." Like Fairchild, Brady often fathers items in "Eye" and "Eye Too." He recently aimed a backhand at Abercrombie & Fitch because they did not stock tennis shorts in his waist size (32 in.). He picks...

Author: /time Magazine | Title: The Press: Out on a Limb with the Midi | 9/14/1970 | See Source »

...better than Fitz Hugh Lane. His ancestors were among the first to settle in the famous fishing port of Gloucester, Mass., where Lane was born in 1804. Partially paralyzed by a childhood illness, he relied on friends to row him out into the harbor where he could sketch and paint, seeking to grasp the precise feeling of the time of day and the weather in New England. An 1848 harbor scene, The Fort and Ten Pound Island, Gloucester, typifies Lane's airy style. The exactitude of his portrayal of the bustling seaport-the clutter of logs, cut boards...

Author: /time Magazine | Title: Art: The Elusive Ocean | 8/24/1970 | See Source »

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