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...London, the Daily Sketch reported that Princess Margaret would marry a faithful escort and bachelor-in-waiting, Billy Wallace, British-born stepson of U.S. Author Herbert Agar and heir to an iron-and-coal fortune. But Billy and Buckingham Palace denied the report. Meanwhile, down in Venezuela, a faithful escort of yesteryear, R.A.F. Group Captain Peter Townsend, was surprised by a photographer while at breakfast aboard a Japanese freighter in the port of La Guaira. After tossing a plateful of fried eggs and chips, rolls and jelly at the man, Townsend recovering his aplomb, said, tightlipped...

Author: /time Magazine | Title: People, Sep. 23, 1957 | 9/23/1957 | See Source »

Baby Sitting to Cad Kicking. The Sketch's Powell-play was a London summer phenomenon brought on by newspaper circulation managers' frantic efforts to keep their papers selling (the Daily Mail was offering a bus trip to Moscow...

Author: /time Magazine | Title: The Press: Man in a Million | 8/26/1957 | See Source »

Daydream à Deux. Box F-1794 turned out to be the Sketch, which promptly cooked up the Win-A-Man stunt, put Powell on the payroll as its "Bowler-Hat Superman." Thousands of letters poured in to the paper, from spinsters, jokers (one chap needed a chap to trim his corns), enlisted men who wanted an officer to serve them breakfast...

Author: /time Magazine | Title: The Press: Man in a Million | 8/26/1957 | See Source »

...Sketch last week assigned its married superman to bring a wife back to her husband (she promised to think about it), appointed him Daddy-for-a-Day to a ten-year-old boy whose father was in the hospital, packed him off to Paris for a daydream à deux with a pretty 20-year-old who wrote that she wanted "to go shopping with a man like him and have him take me to lunch at Paris' No. 1 restaurant." Though his first missions (he spends from a day to a week on each one) proved more...

Author: /time Magazine | Title: The Press: Man in a Million | 8/26/1957 | See Source »

...Hunchback of Notre Dame, the organ-playing ghoul of The Phantom of the Opera, the sad clown in He Who Gets Slapped, Chaney proved the possibilities of escaping oneself. As an artist might rush to his easel to sketch the characters he had encountered in a day, Chaney would go home to his makeup kit and superimpose upon his own flesh the faces he had studied in police courts, water front dives and cafés. With putty and plaster, collodion-created scars, false teeth, wigs, facial clamps, cotton stuffing and rubber dilaters, Actor Chaney would be somebody else...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 26, 1957 | 8/26/1957 | See Source »

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