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...towns 20 miles apart on the southernmost tip of Texas got different versions of TIME'S Aug. 20 issue. In Harlingen, 240 subscribers received a magazine in which the Press section contained stories on the Cincinnati Post's crusade against municipal graft and a sketch on the Vatican daily, L'Osservatore Romano. In nearby Raymondville, county seat of Willacy County, 70 subscribers got copies in which the Press section reported the life & death of Press Lord William RandolphHearst.*The difference represented the kind of magazine reporting made possible when the best in highspeed communication and printing equipment...

Author: /time Magazine | Title: A Letter From The Publisher, Sep. 3, 1951 | 9/3/1951 | See Source »

...think it would be interesting to know what steps Dictator Trujillo took to suppress your damning sketch...

Author: /time Magazine | Title: Letters, Aug. 27, 1951 | 8/27/1951 | See Source »

...Lahr and Miss Gray can smile a trifle sadly at Two on the Aisle. Its skits are the show's main virtue, and even some of them should work shorter hours. But Sketch Writers Comden & Green (On the Town) have really satiric minds, and at their best are very funny. Elliott Reid is funny, too, in a take-off of the Kefauver committee hearings. The music is all too thin, however; the dances are dullish, the production numbers mostly colorless. But thanks to its stars, a rather negligible revue still manages to be a very pleasant evening...

Author: /time Magazine | Title: The Theatre: New Revue in Manhattan, Jul. 30, 1951 | 7/30/1951 | See Source »

...must rise in wrathful indignation against a [sentence] in your thumbnail sketch of V.M.I. [TIME, May 28] . . . The day does not begin officially with breakfast at 7 a.m. but with a grim reveille formation in an earlier darkness . . . Waiting until the last split second to make reveille, "old" cadets jam through the arches and leap out of first floor windows...

Author: /time Magazine | Title: Letters, Jun. 18, 1951 | 6/18/1951 | See Source »

...townspeople of Assy sided with the bishop. They had come to accept their church's Rouault windows, Lurçat tapestry, Léger mosaic and Matisse sketch, but never the Richier crucifix. "It was evil," a woodcutter ventured. A young girl agreed: "The figure was thin and frightening. The colors of the other art in the church make me feel alive and strong, but this thing only scared me like a dark devil...

Author: /time Magazine | Title: Art: Removal at Assy | 4/23/1951 | See Source »

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