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Along with simple explanations, Truman prescribes simple drawings. A swollen, inflamed appendix is easy to sketch on a prescription pad, and so is the operation of cutting it off. "Perhaps," says Truman (no Vesalius), "the less artistic you are the better you can illustrate for the patient...

Author: /time Magazine | Title: Medicine: Rx for M.D.s: Be Nice | 4/16/1951 | See Source »

Wild Punch. His Balcony Escher describes as "a sort of self-mockery. I chose a town built on a hill so that in the sketch there emerged a powerful plastic suggestion by the perspective view of the blocks of houses. [Then I punched] the back of the paper. Now you can see the protruding tumor, and you see that these houses and sun were nonsense. But I, poor fool, what did I do? This wild effort to depict in appearance the reality seems also to have been illusion, for . . . the paper is as flat and smooth as before...

Author: /time Magazine | Title: Art: Prying Dutchman | 4/2/1951 | See Source »

Rosenberg asked him to write up anything he knew about the atomic project. Greenglass obliged and even added a sketch of a "lens mold" he was working on for use in the atom bomb itself. He drew a copy for the jury, and a Los Alamos scientist explained that these four-leaf-clover-shaped lenses were made of high explosives designed to focus detonation waves as an optical lens focuses light waves. This made an "implosion" rather than an explosion. The sketch, he said, was sufficient to show an expert "what was going on" at Los Alamos...

Author: /time Magazine | Title: National Affairs: The Faceless Men | 3/19/1951 | See Source »

...scissors and snipped the cardboard in half. One-half he gave to Greenglass' wife, the other he kept. The next time Greenglass saw the other half, was in Albuquerque. It was in the hand of Courier Harry Gold-an identification card. Greenglass gave Gold another lens-mold sketch, he said...

Author: /time Magazine | Title: National Affairs: The Faceless Men | 3/19/1951 | See Source »

...Russians." Rosenberg already knew about the Hiroshima-type bomb, had once described it to him. Greenglass told him something new, He gave Rosenberg a description of a later-type bomb-"a type which worked on an implosion effect." He also handed over a twelve-page report, including a sketch of the bomb itself, Greenglass testified stolidly. Before the fascinated jury, he flourished a sample sketch that he had brought along with him and casually began explaining some of the inner workings of the bomb. At that, the security-minded judge hustled spectators from the courtroom. It scarcely seemed worthwhile...

Author: /time Magazine | Title: National Affairs: The Faceless Men | 3/19/1951 | See Source »

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