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...Fanny Brice disagrees. Her version: In 1915 a songwriter named Blanche Merrill did a vaudeville sketch for Fanny called "Poor Little Moving-Picture Baby," a burlesque on one of the child stars of the period. Fanny kept this character in mind for 15 years. About 1930 she suggested it to Moss Hart, who wrote a skit for Sweet & Low about an infant known simply as "Babykins." This was, in effect, the first Snooks script. Billy Rose may well have helped Hart, says Fanny...

Author: /time Magazine | Title: Letters, Jun. 30, 1947 | 6/30/1947 | See Source »

Biographer Stryker's strip job, for all his courtroom ardor, is disappointing. At such length that tedium is the payoff, he uses conventional history to sketch in the political background for Erskine's cases. Thus he and the reader lose sight of Erskine for pages at a time. The mighty barrister emerges as less a man than a disembodied voice making noble utterances...

Author: /time Magazine | Title: Books: Lawyer's Hero | 6/30/1947 | See Source »

...time that TIME paid tribute to our foremost American, a great lawmaker and true American-Senator Vandenberg. Your brilliant cover portrayal and biographical sketch [TIME, May 12] . . . do just honor...

Author: /time Magazine | Title: Letters, Jun. 2, 1947 | 6/2/1947 | See Source »

...critics had to go on was a generalized but nonetheless official sketch and a somewhat glamorized interpretation of it by LIFE (see cut). But it was enough to raise the hackles of conservative architects. Said the president of Manhattan's Municipal Art Society, Architect Charles C. Platt: "It seems to me simply slabs turned up and slabs lying on their belly, with no unity of composition. . . . A diabolical dream. . . ." Cried Perry Coke Smith, of the American Institute of Architects: "It looks like a sandwich on edge and a couple of freight cars. . . . I fail to see how an office...

Author: /time Magazine | Title: Art: Workshop For the World | 6/2/1947 | See Source »

...contributions to expect until they arrive, and fills last-minute gaps by diving into the fat "unsolicited" file from readers all over the Empire. Knox does not worry about one important part of Punch: the cover has been the same since 1849, when Richard Doyle drew the now famous sketch of Punch and his dog Toby. It was adopted by Mark Lemon, the first of Punch's editors (his colleagues used to pun: "What would Punch be without Lemon...

Author: /time Magazine | Title: The Press: Good Clean Punch | 6/2/1947 | See Source »

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