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From the Low Countries there are three Rembrandts (a sheet of heads, an interior and a sketch of landscape), two Van Dycks (a suit of splendid armor, front and back) and two figure studies by Rubens of which the sketch for the apostles in the Vienna "Assumption" is especially prized by the Museum...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 2/4/1938 | See Source »

...outstanding art center. The only painting in the country by the famous impressionist, Bazille, was given the museum by his relatives. Other outstanding gifts included a Benin bronzebust from Mrs.John D.Rockefeller Jr., a group of bronze statuettes from Grenville L. Winthrop '86, and a number of Sargent's sketch books and portfolios from the artist's sister, Mrs.Francis Ormond...

Author: NO WRITER ATTRIBUTED | Title: FOGG REPORT REVEALS DIVERSE ACTIVITIES | 1/31/1938 | See Source »

...first act is an introduction to Grovers Corners and its inhabitants. During the course of it Mr. Craven calls upon a little squirrel of a professor to give the geological history and other recondite data of the town, and also upon a prominent citizen to sketch in the general tenor of the place and to answer the questions of a Communist, a cultural uplift lady, and a W. C. T. U. worker, all scattered through the audience. The second act deals with love and marriage, and the third with death...

Author: By E. C. B., | Title: The Crimson Playgoer | 1/28/1938 | See Source »

...story is now ready for the animation. The 75 animators are the master builders of the Disney organization. Upon them depend the unfailingly familiar forms of Mickey, Donald, Pluto, et al. The senior animators sketch out the main movements of the characters in accordance with the set tempo, leave the intermediate steps to assistant animators, "in-betweeners," students from whose ranks the future animators will be chosen...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Hired to dig and sketch abstract geometry at Chichén-Itzà, Chariot so impressed the Carnegie archeologists that he was retained for two years, entrusted with writing the expedition's report on Maya art. Meanwhile, Chariot's own work drifted away from the furiously propagandizing Rivera school. After eight years in Mexico he went north to Manhattan, has lived there since. Last week at the Charles L. Morgan Galleries, Manhattanites enjoyed an exhibition of the best recent paintings by this prodigal son of the Mexican Renaissance. Composed in refinements of the squat, circular Maya forms, sophisticated...

Author: /time Magazine | Title: Art: Mexicans & Friends | 11/22/1937 | See Source »

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