Word: skies
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Dates: during 1980-1989
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About a year ago, a retired school teacher and amateur astronomer in England sighted an object in the sky traveling toward Earth. He immediatley contacted Brian Marsden, director of the Bureau for Astronomical Telegrams located near the Quad, and within hours, thousands of astronomers across the globe had received descriptions of the sighting...
Palm trees were drooping in the heat of the midday sun and alligators snoozing after a breakfast of fish, when the alien bird swooped down from the sky. Roseate spoonbills and wild pigs scattered as it alighted with a gentle whoosh! on the 15,000-ft. ribbon of concrete beside the Florida marsh. On two previous missions, Captain Robert Crippen had been scheduled to land the space shuttle at Kennedy Space Center, the launch site, and each time bad weather had diverted the ship to Edwards Air Force Base in California's Mojave Desert. But this time, a looming...
...passing of Little Sophie, and neither the script nor the acting aids in that endeavor. Nor does the picture's style. One would like to think that when a film embraces the conventions of 1950s imagery (blasted tree trunks standing starkly against a battlefield's orange sky, gauzily veiled glimpses of, yes, dens of iniquity) and symbolic set decoration (the wretched excesses of an aesthete's salon contrasted with the too tasteful austerity of an intellectual's garret), it intends an ironic comment on how Hollywood once tried literally to gloss over what it thought...
...loveliest libretto ever written. Each move seems choreographed to the playwright's verbal arias; the actors glide across Designer Ralph Koltai's gleaming Margard floor as if they were skating on a frozen ebony pond. Through the translucent bower at stage rear we can see the sky swirling madly with birds, fireflies and what looks like a red UFO as the carping lovers lead their fellows in a dashing waltz. The "dead" Hero stands behind a huge golden mandala; in front, monks move to the sweet melancholy of a torchlight dirge...
...that he just sat down in cornfields and let the landscape write itself through him are refuted by the actual sequence of his drawings. Some of his most vivid and impassioned-looking sketches-the coiling, toppling surf, the silent explosion of wheat stocks, the sun grinding in the speckled sky above the road to Tarascon-are in fact copies he made after his own paintings and sent to his fellow painters Emile Bernard and John Russell to show them what he had been up to. As a draughts man, Van Gogh was obsessively interested in stylistic coherence. Just...