Word: skies
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Dates: during 1980-1989
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...them. Polanski takes his time with every scene, the effects ranging from mesmerizing to anesthetizing. The sumptuous photography of Geoffrey Unsworth and Ghislain Cloquet rescues several scenes from fatal tedium, always enchanting the eye even when the mine has wandered. Their compositions of toiling farmers framed by a purple sky are almost painfully beautiful if more than a little reminiscent of Nesto Almendros' work in Day of Heaven...
...most part on deaf ears. Even Foot, a firebrand himself in his youth, has been overtaken by a new breed of militant British leftists. They are mostly youthful, largely middle-class ideologues who habitually spout Marx, Lenin and Trotsky but shun Soviet-style Communism. Combining pie-in-the-sky visions of a British Utopia with a pragmatic flair for nuts-and-bolts political organizing, they have driven a wedge deep into the 80-year-old Labor Party...
...Sky's the Limit, Dyer...
...streets in this region sent for minutes together a ghostly unbroken reflection up. The soaring new flats and the crouching old shops and houses looked equally brittle under the moon, which blazed in windows that looked its way. The futility of the black-out became laughable: from the sky, presumably, you could see every slate in the roofs, every whited kerb, every contour of the naked winter flowerbeds in the park; and the lake, with its shining twists and tree-darkened islands would be a landmark for miles, yes, miles, overhead...
...Sky's the Limit, Dyer...