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TORNADO WARNINGS MADE KING FRET about his crowd, as ominous streaks of gray and purple crossed the sky from the west. Radio bulletins told of a seven o'clock twister that picked up and dumped a stretch of asphalt on cars near Star City, Ark., killing seven people, and the first squalls hit Memphis half an hour later in slanted sheets of rain. Phone calls from the Lorraine to Lawson in Mason Temple verified that the crowd indeed was thin--perhaps fewer than 2,000 in the huge hall that had packed seven times that many for King's visit...

Author: /time Magazine | Title: "I Have Seen The Promised Land" | 1/1/2006 | See Source »

...when short-term interest rates inched higher than long-term interest rates. That's not the natural order. On Wall Street, this rate flip-flop is known as an inverted yield curve. It's a relatively rare occurrence, and one that always drags out economic Chicken Littles. But the sky is not falling on this expansion just...

Author: /time Magazine | Title: A Warning from the Bond Market? | 12/29/2005 | See Source »

...road a new man. "I'm like a camel. I store up sleep in my hump," he says. U2's never-ending Vertigo tour has come to Boston, and from his palatial suite he has the panorama of a city blanketed in snow and capped by an endless blue sky. After a quick traipse through Boston Common, it's time to go to work...

Author: /time Magazine | Title: The Constant Charmer | 12/19/2005 | See Source »

...partner of I.M. Pei, designed, among other things, Manhattan's sprawling Jacob K. Javits Convention Center and Washington's Ronald Reagan Building. Of the Holocaust Museum's hexagonal, skylighted Hall of Remembrance, he said, "Light is the only thing I know that heals. People at the camps said the sky was the only...

Author: /time Magazine | Title: Milestones Dec. 26, 2005 | 12/19/2005 | See Source »

...Seascapes, another of Sugimoto's most famous series, are photographs of horizons, where the water meets the sky, taken all over the world, in all types of weather. From afar, they are pure blocks of contrasting shade. Light on top, dark on the bottom (or sometimes, intriguingly, the reverse), they look at first like little more than a homage to Mark Rothko's color-field painting. But up close, each photo is marvelously detailed. Wisps of clouds are clearly defined and individual wave crests reflect the sun at different but interlacing angles. Displayed together so that the horizons all line...

Author: /time Magazine | Title: The Lying Lens | 12/18/2005 | See Source »

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