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...Select Committee, during a recent debate on trust and financial markets organized by the Fabian Society, a left-leaning London think tank. In future, bosses ought to know their CDOs from the CDSs, McFall said, and not leave such understanding to the banks' "35-year-old Ph.D.s." Reining in sky-high bonuses, boosting capital reserves and sharpening risk management won't do any harm to public trust, either...

Author: /time Magazine | Title: What Banks Are Still Missing: Trust | 5/4/2009 | See Source »

...disease experts lying awake at night. Thanks to the efforts of the WHO, we've built a remarkable early-detection system for new diseases - one sensitive enough to catch major threats and minor ones - and we should be rational enough to heed its warnings without acting as if the sky were falling...

Author: /time Magazine | Title: Was the Alarm over Swine Flu Justified? | 5/4/2009 | See Source »

Well, once again, Hardin's heart was broken. Reaction from Montana's three-man Congressional delegation was swift and unanimous, but hardly supportive. "I understand the need to create jobs, but we're not going to bring al-Qaeda to Big Sky Country - no way, not on my watch," said Sen. Max Baucus, a Democrat. (See pictures from inside the Guantanamo Bay detention facility...

Author: /time Magazine | Title: The Montana Town That Wanted to Be Gitmo | 5/3/2009 | See Source »

...challenges of New York theater. “In the short term, I’d just like to be an independent person, getting professional work, not living in my parents’ home,” she says. “In the long term, the sky is the limit! I want to do everything.” She pauses briefly. “Really well.” —Staff writer Rachel A. Burns can be reached at rburns@fas.harvard.edu...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Alison H. Rich ’09 | 5/1/2009 | See Source »

...being surrounded by like-minded colleagues, he was now somewhat isolated. He had been experimenting in new directions before he left the Bauhaus, but his isolation, and freedom from the need to be didactic, may explain the playfulness that breaks out in his work. He carefully mixed colors - sage, sky blue, maroon - and experimented with texture, using controlled paint splatter for a sandy effect. Nothing is still: in Colorful Ensemble (1938) the splatters are a background of dots on which swim strange biomorphs; in Sky Blue (1940) stripy plankton flutter multiple legs while Reciprocal Accord (1942) fizzes and explodes...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

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