Word: skillful
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...rich will always be rich, even without the great skill and intellect of Harvard students protecting them. The needy, however, need people like us--smart, hard-working young people who can use the incredible tools we have received here to make the world a better place. We have an obligation to give back to those who deserve it most, and not just incidentally if it is convenient for us and for our investment bank's profit margin...
...that task Green enjoys several advantages. Black players, especially, trust him and feel he understands them. He can correct them without making them feel any disrespect--a skill many white coaches haven't mastered. Team chaplain Johnson says Green is creating a new model for coaching. "Guys like Randy Moss represent the future of pro ball," says Johnson. "Moss is talented, grew up without much male leadership, has a history of social deviance and was merely a commodity in college. How do we handle guys like him? Coach Green has tried to provide an environment where they can succeed." Some...
...double harp (a seeming irony), which encompass all the notes of a piano. He also explained the necessity of reaching through the strings on the outer rows to reach the sharps and flats which lie in the middle row, which made all the more obvious the tremendous skill and agility required to play the harp as beautifully as Lawrence-King does...
...excellent, the refinement and artistry of the principal dancers stood out in contrast--but not in negative oposition to--the raw talent of the corps de ballet dancers. Principal dancer Amanda McKerrow shone in her artistry. Gillian Murphy and Sascha Radetsky, both corps de ballet dancers, exhibited amazing technical skill with solid, high jumps and fast turns; they need to work on the transition steps between each technical feat that will provide a softness and fluidity that they lack...
...fact, the achievement of directorPete Wilson '99 lies in his sensitive productionof the divisions in the script. What could wellhave been a technical nightmare-the disparaterealities of Stine and Stone-is slickly overcomewith juxtapositions, stop-action andinstant-reverse stage-play. At points, the setsand music are manipulated with skill to slip fromone world to another. It is the generalprofessionalism of the production that makes theever-present mic trouble annoying in contrast. Infull, this production demonstrates a very strongconceptual foundation, as evidenced by the sightand light designs of Robert Schlesinger's '00 andDaniel O. Scully's '99, respectively. The actiontakes place...