Word: skin
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Dates: during 1960-1969
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...nervous system, of blood cells, both red and white, of clotting mechanisms, of the hormone systems, of the kidneys, of the intestinal tract, and of the muscles. The eyes and ears are also susceptible-there are about 40 varieties of hereditary deafness, said McKusick -and so is the skin...
Because the mite abhors light, it remains burrowed beneath the surface of the skin during daytime, venturing forth only in the darkness. Thus, it cannot be detected even by careful scrutiny in front of a mirror. During its two-week life span, Demodex grows up, breeds and dies in the oily pores on the eyelid and elsewhere on man's face without attracting attention. It makes its presence known only when something upsets the ecological balance of the face, encouraging the mites to overpopulate. Then they cause swelling in an eyelash pore, or spread bacterial infections into adjacent follicles...
Succeeding generations will know Mies' name, and perhaps even apply it to the epoch. Mies laid down a fundamental creed of honest structure. Skin-and-bones architecture, he called it. Born in 1886 in Aachen, Germany, he received no formal architectural education. But he learned from his father, a master stonemason, to value the particular heft and quality of pure materials. One of his first jobs consisted of designing stucco ornaments for a local architect-"full-size details of Louis XIV in the morning, Renaissance in the afternoon." The experience left him with a lasting disdain for the falseness...
...with Givenchy's languorous silver-fox coat. Saint Laurent goes way back: "It's 1890," he says of his patchwork evening dress with leg-of-mutton sleeves. He does not say which year inspired his black otter coat, appliqued on the back with a Somalia panther skin; whenever it was, the panther apparently had a bad time of it; he looks properly appalled at his fate...
...later in exteriors of the cafe which seem Expressionist: the hero wanders through the shadow-filled darkness barred from light, warmth, security. But the stove, like the stage at the end, gives the light a different meaning. Light is the core of the Romantic being, whether sexual (Dietrich, whose skin and hair shine) or metaphysical (the fire in the stove). Janning's pursuit of light, though it leads him into humiliation and death greatens his soul. Sternberg's emphasis on light-attraction over darkness' terror, on personal triumph in the middle of degradation, are Romantic themes whose Christian roots...