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Word: skin (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Springsteen's fresco of muscle and dope is not the revelling in machismo that it might be (i.e. J. Geils), although clearly anybody who has proclaimed in song that "I had skin like leather and the diamond-hard look of a cobra" is to be watched closely. But even when a chorus of women sing "Those romantic young boys, all they ever want to do is fight," it conveys a soft ironic criticism which runs through the whole album, up to the point where Springsteen tells a girl friend "you oughtta quit this scene...

Author: By Mickey Kaus, | Title: "I Ain't Here On Business" | 4/24/1974 | See Source »

...their 1974 plates, 56,000 Texans decided to stamp their characters on their cars, a personality display so fascinating to Houston's Harriett Adams that she has brought out a book on the subject called Who's Who on Texas Highways & Bi-ways. A dermatologist selected SKIN for his plate, a surgeon chose CUT UP, and a dentist picked SAY AHH. The owner of a mattress shop took SLEEP, a salvage contractor used JUNKIE, and a pharmacist chose PILL. Various Volkswagen owners have labeled their beetles LUV BUG, V-DBL-U and EL BUG. Ernest Campbell of Dallas...

Author: /time Magazine | Title: The Nation: Letterbugs | 4/22/1974 | See Source »

Wild Strawberries, Sunday, April 21, 2:30, 6:05, 9:40; The Soft Skin...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 4/18/1974 | See Source »

...parents, Rubin says, treat them as adult reincarnations of adults. (Rhade tribesmen are supposed to love children so much that they used to buy Vietnamese children to raise as their own; but almost 70 per cent of their children die before their first birthday--of malaria, intestinal parasites, and skin diseases caused by poor sanitation...

Author: By Seth M. Kupferberg, | Title: Savage, Lovable Faces | 4/11/1974 | See Source »

Like ancient Greek sculptors, Giacometti sometimes painted his pieces as well - not in primary hues, but in a range of pinky grays and dirty skin colors that recall the primal dust of his own studio. This, too, makes them less approachable. One cannot easily imagine fondling a Giacometti. It would not feel good, and in any case the thing always seems too far away. It was the use of distance, both real and implied, to disclose meaning that gave Giacometti's work so much of its aloof, hieratic tension...

Author: /time Magazine | Title: Art: An Obsession with Seeing | 4/8/1974 | See Source »

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