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Word: skins (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...PERSECUTION AND ASSASSINATION OF MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE blends Brecht with the Theater of Cruelty, mixing in philosophy, revolution and insanity. A skin-tingling assault on the senses...

Author: /time Magazine | Title: On Broadway: Feb. 25, 1966 | 2/25/1966 | See Source »

...trivial matter compared with the defense of Western Europe. To this thesis, Johnson replied: "We cannot raise a double standard to the world. We cannot hold freedom less dear in Asia than in Europe." Nor, he suggested pointedly, should the U.S. "be less willing to sacrifice for men whose skin is a different color...

Author: /time Magazine | Title: Nation: No Exit | 2/25/1966 | See Source »

...race." So, when Jo Ann Kovacs, 25, a white Baltimore nurse, and Meki Toalepai, 26, a handsome singer-dancer-musician from Western Samoa, applied for a marriage license in Baltimore this month, they were refused. Maryland, the unhappy couple quickly discovered, would allow Jo Ann to marry anyone whose skin was red, yellow or white, while Meki could legally take a wife whose skin was red, yellow or brown. But brown and white (or white, brown and black) are not a permissible permutation...

Author: /time Magazine | Title: Maryland: Colorless Conjugality | 2/25/1966 | See Source »

...brain, so that the wearer will find his impulse translated into action. Medical men foresee fetuses grown outside the uterus (in case women want to be spared the burdens of pregnancy) and human tissues grown to specifications. The Cleveland Clinic's Dr. Willem J. Kolff prophesies "artificial skin with all the appendages built in, such as ears and nose." How they would look is a cosmetic problem that the doctors dismiss with a shrug...

Author: /time Magazine | Title: Essay: THE FUTURISTS: Looking Toward A.D. 2000 | 2/25/1966 | See Source »

Truffaut, meanwhile, has chosen to experiment with content rather than technique. His Shoot the Piano Player of 1960 and The Soft Skin of 1964 both maintain a tenuous balance between seriousness and self-parody, providing several layers of possible interpretation. Truffaut toys with the reactions of his audience, leading them by the nose into deeper involvement with his characters and then rebuffing them by suddenly turning the plot into a cliche. If you can maintain both distance and involvement simultaneously, Truffaut's films will lead to new perceptions about reality and illusion, about freshness and staleness. His other major film...

Author: By Daniel J. Singal, | Title: France's 'New Wave'; A Free, Bold Spirit | 2/16/1966 | See Source »

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