Word: skips
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Dates: during 1970-1979
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...course, if you're easily offended, skip this book. You won't miss it; it won't miss you. If you're a fan of Abbie Hoffman, the consummate Celebrity Sweepstakes fugitive Yippie, steal this book; Hoffman contributed three articles. In fact, if you dig Monty Python or Saturday Night Live (when it whatever crosses your personal threshhold for sufficiently imaginative and irreverant humor, The '80s is worth a look. You will be amused...
...talks started anew in June but went nowhere until a month ago, when the U.S. signaled that unless the Mexicans bargained seriously, López Portillo could skip his White House visit this week...
...logistics of making an epic are awesome. Cimino, like Napoleon, is not the kind of strategist to skip a legion. The film involves more than 1,200 extras; from cravats to camisoles, their costumes had to be authentic. He went to Philadelphia to find a top-hat maker, and even farther afield to track down contemporary firearms and long-retired craftsmen who could make scores of wagons. From Denver, Cimino ordered a 19th century locomotive that had to be rerouted because it was too big for many tunnels. Then came the roundup of 80 wagon teams. Using fewer horses, says...
There's a million things that you can do To help head off the crunch, From hit your nail right on the head To skip your business lunch, Suggest a better way at work, Write the press a note; Remember when we disagree that We 're all in the same boat...
Less instructive but more inspirational is Jim Lilliefor's Total Running (Morrow; $7.95), an examination of the "mental and spiritual side of running" that contains such lines as "running as spiritualism is the lifting from your shoulders of an insoluble puzzle." On the Run, by Marty Liquori and Skip Myslenski (Morrow; $9.95), shows the great miler and distance runner to be as dedicated and self-critical as every top athlete must be. But Liquori is more instructive on television. Running Back, by Steve Heidenreich and Dave Dorr (Hawthorn; $11.95), is nondramatic; it describes how Heidenreich slogged his way back...