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FASHION: What's beyond the mini? No skirt...

Author: /time Magazine | Title: Time Magazine Contents Page: Apr. 2, 1990 | 4/2/1990 | See Source »

...battle of the hemline may already have been fought to exhaustion, and many designers have concluded that the only way to stop the hostilities is to bulldoze the battlefield -- that is, the skirt. The dominant silhouette at the Paris fall collections was a big top with tights or leggings, often accompanied by boots that climbed well above the knee. In between there was often a sort of apron that resembled a vestigial skirt or, more fancifully, a superwide belt. Only a few classic houses featured any skirts in the usual sense of the word, and only Yves Saint Laurent covered...

Author: /time Magazine | Title: Fashion: Throw Out Your Skirts | 4/2/1990 | See Source »

...which, from the viewpoint of someone born in 1957, is an era of sexy, whimsical dressing. For fall he plans to draw on "all my favorite old clothes -- trench coats, pajamas, pea coats, letter sweaters. My bride will be a prom queen, maybe in a big, reversible skirt." To get himself in the mood, he runs around Greenwich Village, where he has bought a brownstone, in his father's old camel-hair topcoat...

Author: /time Magazine | Title: Fashion: But Gordon, I Want It All: Gordon Henderson | 2/26/1990 | See Source »

...section, students usually stick to plot summaries and close readings of the texts. Personal experiences play virtually no role in interpretation. But we still manage to have protracted discussions--employing several dozen "those people"--that usually skirt around the bigger social issues. For example, during a half-hour discussion of Carver's "Cathedral," nobody proposed that the story might be about prejudice. Instead we discussed the problems of communication between one man and his wife...

Author: By Gloria M. Custodio, | Title: Social Reflection With a Slant | 11/18/1989 | See Source »

Some performers live in memory as icons of their eras -- Marilyn Monroe with her air-blown skirt at thigh level, or Louise Brooks of the silents, purring beneath a helmet of slinky black hair. Particularly to the French, there is more than one archetypical image of Josephine Baker, who danced her way out of the hovels of East St. Louis to become the world's first black international star. From the Roaring Twenties came a Baker persona at once erotic and comic: prancing topless on a Paris music-hall stage, with eyes crossed as if to spoof her naked sensuality...

Author: /time Magazine | Title: Books: Black Beauty | 10/30/1989 | See Source »

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