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...England." Britain's most gifted director, Alfred Hitchcock, didn't think of England; he learned his trade from the Americans and the Germans. On the set, instead of "Action!" he'd cry "Achtung!" Cinema Europe reveals him as an impishly sadistic fellow--he is seen lifting an actress' skirt while she tries to rehearse. But Hitch could make movies; Hollywood saw that. He went to the U.S., as had Lubitsch, Lang, Sjostrom, Stiller (and his young star Greta Garbo). Some were chased there by Hitler. European cinema was nearly stripped clean...

Author: /time Magazine | Title: TELEVISION: SILENTS ARE STILL GOLDEN | 7/1/1996 | See Source »

...Clinton, when things have been going a little too smoothly for a little too long, the fates decide to thicken the plot. The Oxford-bound scholar comes up 1-A in the draft, the boy Governor gets tossed out by Arkansas voters, the earnest presidential candidate morphs into a skirt-chasing tabloid cartoon--and Clinton has to run harder and smarter to catch up with his dreams. Which is why some of the President's closest advisers have been anxiously peering beyond his gaudy poll numbers to the next, and inevitable, setback...

Author: /time Magazine | Title: GUILTY, GUILTY, GUILTY | 6/10/1996 | See Source »

...years, to Piero della Francesca's Madonna del Parto, to find a painted human figure of such monumental gravity. All is volume, all is power, not only the large masses--the head that seems hewn from some skin-colored rock, the torso and the flaring blue pyramid of the skirt, the cylindrical coffeepot and the cup with the spoon set vertically in it--but also the microforms, such as the knot tying the woman's apron at her waist, which has the finality of a turned lock. The poetry of this image isn't in expression--it is almost ineloquent...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

...whim," she says, although she ended up Third Marshall. She has taken the role seriously, however, Cahn says. When Thomas and Peter were looking for help finding a Class Day speaker, Thomas would do almost anything to get support. "She knows how to put on the right short skirt to get something done," Cahn says. "'Is this one short enough? Is this one short enough?' she'd ask me." They eventually were able to bring Tom Brokaw to the event...

Author: By Theodore K. Gideonse, | Title: Not Exactly Miss Manners | 6/6/1996 | See Source »

...remarkably well in surviving the onslaught of their own words. Alexis Susman, as Dora, employs the same "oh-me-oh-my" domestic manner when hanging out clothes to dry as she does in her protracted monologues about how frustrating existence is. Playing the petulant, wise daughter, complete with short skirt and skates, Alex Marolachakis as Sue, a.k.a. Squeezer (a childhood nickname), parallels the audience's experience as she constantly questions the absurdity of all that is happening ("None of my friend's parents talk like this," she exclaims at one point). Saadi Soudavar is inspired as Ray, chronicling his life...

Author: NO WRITER ATTRIBUTED | Title: Levine's Loeb Ex Effort Triumphs Despite Play's Obscurity | 5/6/1996 | See Source »

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