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There's something intriguing about Soap. What the show essentially does, however, is to skirt around the edge of some rather vexing philosophical questions; the only definite answers it gives--that soap opera is a fix, and that we all need it, the audience as well as the people who act in it--aren't particularly original or hard to come by. After watching Mary Hartman, Mary Hartman for three months, I could have told you as much myself...

Author: By Julia M. Klein, | Title: The Wanton Wind | 10/13/1976 | See Source »

Louisiana Feminist Annabelle Walker, demurely dressed in a hoop skirt and twirling a parasol, demonstrated in favor of the Equal Rights Amendment last year. "A man shies away from an overly aggressive female," warns Gale Childers, who nonetheless has been aggressive enough to be a South Carolina bank branch manager at the age of 30. Alabama State Treasurer Melba Till Allen owes much of her success at the polls to her charming, ultrafeminine manner. Says she, "I don't believe that a woman could win in Alabama if she were not a lady." Yet Allen recently showed...

Author: /time Magazine | Title: The South/sexes: The Belle: Magnolia and Iron | 9/27/1976 | See Source »

...were trumpeting the glories of Saint Laurent's haute couture, the ready-to-wear clothes were showing up in the 111 Y.S.L. boutiques from Kuwait to Hong Kong, including 46 in the U.S. At prices ranging from $130 for a wool shirt to $1,110 for a taffeta skirt, they are selling as fast as they can be reordered...

Author: /time Magazine | Title: Modern Living: Let the Costume Ball Begin | 8/16/1976 | See Source »

...decade. The 800 or so journalists, store buyers and private clients invited to the lavish showing were awestruck. Some were even reduced to tears as Saint Laurent's models glided along the runway, demonstrating what many predicted would be the New New Look: narrow waist, calf-length bouffant skirt for daytime and huge, all-enveloping coat...

Author: /time Magazine | Title: Modern Living: The New New Look | 8/9/1976 | See Source »

...optimistic that his collection would catch on. Since the Algerian-born French designer took over the couture house of his mentor Dior in 1957 at the age of 21, he has produced a series of highly successful-and often outrageous-designs, such as the Trapeze (1958) and the hobble skirt (1959). When the couturier opened his own house in 1962, he went on to launch tuxedos for women, hip boots, visor caps and, most recently, last spring's Ballets Russes collection...

Author: /time Magazine | Title: Modern Living: The New New Look | 8/9/1976 | See Source »

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