Word: skirtful
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Dates: during 1940-1949
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Though Olsen & Johnson did poorly on radio in the 1930's, they are confident about their TV future because "all our gags are ocular." The audience-under constant attack from live piglets, cakes of ice, skirt-blowers, chorus girls and clowns -has always been an integral part of their act. The comics have not yet quite solved the problem of framing their wide-ranging madhouse on TV's small screen. By using five television cameras (instead of the two or three used on most TV shows), Olsen & Johnson think they will be able to get the visual intimacy...
...week for his first look at a strange land; Pastor Salau is a missionary among his own people of the Solomon Islands. Above his grave, calm face his hair stood straight up in a shock of black fuzz; he was dressed in a blue tweed jacket and blue woolen skirt with red belt, black oxfords and black, knee-length stockings. He was not prepared for the reporters and photographers who found him aboard the liner Mauretania, on a trip that is taking him around the world. The newsmen persuaded him to take off his jacket and western shirt, and pose...
...front of the house a group of soldiers were wolfing down bowls of rice. When Mrs. Hawkings appeared in her cardigan sweater and plaid skirt, the soldiers stopped eating and gazed at her with awe and affection. One young soldier started singing China's national anthem. "They're nice boys, really," said the mistress of The Limit...
...exploring costume in her size (almost no ready-made clothes anticipate her doll-like proportions)," Mrs. Adrian bought them in Manhattan. For the trip up river she wore "an oyster-white silk Shantung suit made (where better?) in her husband's workrooms; and as an alternate for the skirt a pair of Shantung slacks . . ." Mr. Adrian's equipment for the trek: "a picnic hamper . . . an out-of-doors stove, an alarm-clock wristwatch, a Rube Goldberg knife-is-a-can-opener-is-a-whistle...
Rita Hayworth, whose wedding to Aly Khan is set for May 27, got full approval and a few thoughtful suggestions from Couturier Jacques Fath. "If I were Rita," he mused, "I would be married in white . . . white crepe with the panels in the skirt and the decolletage like this . . ." He gestured sweepingly downward. "I always make the deep décolletage for Rita," he explained, "because she has a strong bosom. It minimizes it, but one can see very clearly still that it is there...