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Ballet Folklórico de Aztlán’s (BFA) high-energy performances often involve twirling skirts and snappy footwork. Dancers may wear rattles on their hands and candles on their heads, all the while flirting with their partners and with the audience.

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Ballet Folklórico de Aztlán | 4/27/2010 | See Source »

Although they won’t be wearing candles in their Arts First performance in Lowell Lecture Hall this Saturday, BFA aims to introduce a lesser-known tradition to the Harvard campus. Former co-director Alejandra Beristain-Barajas ’10 says, “A lot of times...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Ballet Folklórico de Aztlán | 4/27/2010 | See Source »

Saturday afternoon, 2:00. Eleganza is having a full run-through. The SOCH, usually a symbol of architectural and institutional awkwardness, is pounding with huge beats and bold moves. The clothes haven’t arrived yet, so the models follow their natural style: a hodgepodge mix ranging from designer...

Author: By Alexander J.B. Wells, CONTRIBUTING WRITER | Title: Eleganza | 4/23/2010 | See Source »

As the sport became more popular, women began competing against men in the 1920s in swims across the English Channel, which was considered the most challenging event at the time. This changed women’s swimwear from heavy wool skirts to slimmer one-pieces and ultimately to the bikini...

Author: By Jane Chun, CONTRIBUTING WRITER | Title: Swimwear and its Sex Roles | 4/8/2010 | See Source »

In terms of other technical elements, it is clear that the aesthetic guiding much of the costuming—by Elyssa Jakim ’10—draws straight from the 1980 musical “Les Misérables,” particularly in the case of the...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

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