Word: skit
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Actor-Writers Cook and Moore, who once were half of the wily foursome in Beyond the Fringe, have failed to grasp the basic difference between a four-minute skit and a 107-minute movie. What is worse, their script is padded with imbecile yock lines ("I love Lucifer," or in a conversation about God "But he is English isn't he?"). As a result, the film plays Faust and loose with a grand old theme...
...pictures of me doing that, do you? No! You see pictures of me doing the hokey-pokey!" In a recent takeoff on BBC documentaries, he played a mustachioed producer, a brandy-guzzling announcer, an unemployed lathe operator-and the entire British Cabinet. In last week's skit, Bird was a lisping Field Marshal Montgomery who passes up a "Violence for Peace" demonstration to go to Viet Nam and take lessons from a U.S. officer who trained at the "Massachusetts Institute of Guerrilla Warfare" and who wears a counterinsurgency kimono designed by Pucci...
...when he dressed up like a hillbilly for a high school skit, he was funnier than a bowlegged mule. But later on, after he graduated from the University of Alabama and worked for a spell in New York City as a typist, he came back with a highfalutin accent, and no body thought he was funny any more...
...become brighter, smoother and more sophisticated. Carson's opening six-minute monologue is generally humorous, despite an unfortunate preoccupation with bathroom jokes. The rest of the bill is filled with two or three musical turns, a guest comic's bit or a mildly satirical skit, and-best of all-engaging conversations with guests who range in celebrity from Vice President Hubert Humphrey to people who are merely interesting-an Australian stowaway, a clearly spurious seer, a subway conductor turned poet...
...strung out by the philosophical intrusions of Sade, who leaves his stage-side perch to argue with Marat and deflect the action; by the blank verse narration of the herald, who prompts, cajoles and apologizes; by the petulant interruptions of M. Courmier, upset by the political content of the skit; and by the eruptions of the mental patients, who are paradoxically part of, and apart from, the aggressive "message" of the play. Everyone agrees that things were pretty bad before the Revolution, but Sade uses a cast of the permanently and prototypically downtrodden to illustrate his point that the poor...