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James S. Hodgson, who directed the GSD's library during its recent period of rapid expansion, will be replaced in January by Head of Technical Services Hinda F. Sklar on an interim basis until a successor can be found...

Author: NO WRITER ATTRIBUTED | Title: GSD Librarian Leaves Harvard | 12/16/1989 | See Source »

Both Freshman and Rosen, who have been best friends since freshman year, paid tribute to their advisor Judith Sklar. "We owe a lot to her support and excitement," Rosen said...

Author: By Alan Z. Segal, | Title: Four Get Marshall Scholarships | 4/23/1986 | See Source »

...downright appalling, many critics would say. The thrill shows appeal and cater to the viewers' infantile instincts. Film Professor Richard Sklar of New York University compares these programs to a circus sideshow. "The grotesque aspects of popular culture-burlesque, vaudeville variety and pulp magazines-are finding expression on TV today. Television does not go out on a limb; it trails what is happening in society." Some of the toughest condemnations of the shows come from broadcasters. Morley Safer of 60 Minutes blasts such programming as "the worst brew of bad taste yet concocted by the network witches...

Author: /time Magazine | Title: Television: Incredible? Or Abominable? | 10/13/1980 | See Source »

Academe also takes high honors in procrastination. Bernard Sklar, a University of Southern California sociologist who churns out three to five pages of writing a day, admits that "many of my friends go through agonies when they face a blank page. There are all sorts of rationalizations: the pressure of teaching, responsibilities at home, checking out the latest book, looking up another footnote...

Author: /time Magazine | Title: Time Essay: The Fine Art of Putting Things Off | 6/10/1974 | See Source »

...Amour ("presented" by Warhol, written and directed by Warhol and his protege Morrissey) features the wrecking crew from The Factory, Warhol's New York homestead, transported to Paris, where they scratch and stammer through a plot that might be a low-camp rewrite of La Ronde. Michael (Michael Sklar) and Max (Max Delys) are lovers. Michael, wanting to get married for appearances only, becomes involved with Donna (Donna Jordan), while Max makes lanolin passes at Jane (Jane Forth). All have been encouraged to play someone approximating themselves, which does not mean there is any recognizable humanity to be seen...

Author: /time Magazine | Title: Cinema: Quick Cuts | 5/21/1973 | See Source »

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