Word: skolimkowski
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Dates: during 1982-1982
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...MOONLIGHTING, POLISH DIRECTOR Jerzy Skolimkowski distills from the quotidian black-and-white headlines of political upheaval a pure narrow gray band of personal experience. The subject--four Poles stranded in London during the imposition of martial law naturally invites an impassioned ideological treatment, but Skolimkowski's film is, on the surface, politically devoid. Instead we are given nearly flawless meditation on exile from an interior perspective...
...only one of the four to speak English and to be educated. Nowak stands apart from the rest of the group. Their only link to the outside world while they're in England. Nowak becomes the defacto leader. Throughout the film, the workers speak among themselves in Polish. Skolimkowski has wisely refrained from using subtitles, interpolating instead a spare, running monologue by Nowak. Through this technique, his interior state and isolation become almost palpable...
...CHARACTER OF NOWAK is the center of Moonlighting, with the others merely secondary. Wish only the little dialogue and only spare interior monologue Jeremy Irons managed to capture and delineate every nuance of his character's brooding intensity. An equally superb performance is that of writer-director Skolimkowski. Conceived and completed in one month. Moonlighting shows a rare combination of white hot inspiration and totally lucid artistic control. Every scene, from the opening to the remarkable closing image is effective and forms a part of considered whole. The almost documentary like cinematography captures the dark visual textures and somber Irony...
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