Word: skulled
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Dates: during 2000-2009
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...There's enough drama, comedy and heartbreak in this trio to keep festivalgoers satisfied until Sunday, when Hollywood gets one last chance to prove that old-fashioned adventure has a place in Cannes - when Indiana Jones and the Kingdom of the Crystal Skull has its world premiere. (Check back tomorrow for an early scoop on Indy's latest crusade...
...Next Sunday, the anticipation and star quality will be even higher when Cannes hosts the world premiere of Indiana Jones and the Kingdom of the Crystal Skull, produced by George Lucas, directed by Steven Spielberg and starring Harrison Ford, Karen Allen, Shia LaBeouf and Cate Blanchett. For once, the interest back home will be rabid, since this is the movie's very first showing to public or reviewers. More than U.S. publications has sent its movie critic here only because Indy 4 will be screened in Cannes a few hours before it can be seen in the States...
...sharpest young minds lining up scores-deep in order to secure a minute of monitored levitation. Now and then a muddling passerby will accidentally wander into the swing’s ambit and, after a tussle of shouts, duck for safety. Sometimes the swing will make rubber-to-skull contact, and an uncomfortable and embarrassed student will bowl over onto the grass. In the true fashion of a totem, though, the gentle swinging will stir deep memories in all of us—memories of childhoods real or imagined, individual and collective apparitions of an idyllic pastoral existence...
...living in Manhattan’s East Village, was mentally ill and thus was not accountable for the slaying of Monika Beerle. They also exonerated him for supposedly dismembering her body parts, cooking those body parts into soup that he served to the homeless, and for leaving her bleached skull in a bucket of kitty litter at the Port Authority Bus Terminal. Today the story has been mythicized, often extrapolated beyond belief. “Yeah, I tasted the soup,” a homeless man once claimed to me, “and I liked...
...bleak skepticism. Still lifes tend to comment on the transience of things, but Goya's piles of lifeless fish and game lend unexpected violence to this theme: the white fur of a rabbit's belly exposes the wound where it was shot; the blank eyes of a lamb's skull look disconsolately at its butchered torso. Equally unsettling, a large painting of The Taking of Christ is notable less for the sorrowful figure at its center than for the jeering, crazed mob that surrounds him. The same menacing irrationality appears in disturbing later works such as The Burial...