Word: slab
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...Mark I, which in 1959, along with the Olivetti typewriter and Mies van der Rohe's Barcelona chair, was voted one of the ten best designs of modern times, sold only 5,300 after Edsel Ford introduced it in 1939. The Mark II, which featured simply sculptured "slab sides" instead of the chrome that was the rage in Detroit in 1956, sold 3,000 over a two-year life span. But Ford estimates that 15,000 Mark IIIs will be sold in the car's first year. Beautiful people have begun to buy beautiful Mark IIIs even before...
...Christmas season, before long, some inventive publisher will simply order up a six-foot-long slab of a book and put legs on it. That will solve the problem of what to do with coffee-table volumes. They are just as massive as ever this year, and a little more expensive. Still, the shopper who cannot content himself with giving just a good novel, biography or history (heretical thought!) will find an imposing selection of Christmas books that are as satisfying to read as they are to look through. Among the best...
...Roman cops were not so sure. When the visitors, lacking a table to sign papers on, began moving a heavy stone slab around to make do, a dozen carabinieri came on the run to halt what looked like desecration of a national monument. When the sideshow ended at last, "the Greatest Show on Earth" passed to its new owners...
...Habana Libre looks like any other hotel. Its architecture is an unimaginative rectangular slab; the decor of its lobby is unmistakably the pesudo-modernism of the mid-fifties. Some things will probably never change, like the daiquiris, so cold they make your head ache if you sip them too fast...
...seven examples of Japanese sculpture, which show that Nippon's advanced technology and freedom from European tradition have produced some sculptors with slates as clean as any in the U.S. The Port, an internally lit blue and transparent plastic piece by Katsuhiro Yamaguchi, and the giant slab of plastic Swiss cheese called Blue Dots by Noriyasu Fukushima have the same cleanness as Robert Morris' silvery series of knife-edged I-beams and Donald Judd's turquoise modular grids. All four works convey a feeling of openness and expansion, a common dedication to a spatial rhythm that...