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...prove him right, Egypt's Fahmy refused to slam the door that Dayan had opened ever so slightly. Fahmy made it clear that the Egyptians have strong reservations about a Pan-Arab delegation. A member of his delegation explained later: "Eventually we would have to break down into subcommittees for serious negotiations at Geneva, and once again we would run into the problem of persuading Israel to negotiate with the P.L.O. representatives." Nonetheless, among the options not ruled out by Fahmy were: 1) a Pan-Arab delegation that would include Palestinians, some of them...

Author: /time Magazine | Title: DIPLOMACY: Bazaar Bargaining in Washington | 10/3/1977 | See Source »

...charges that the board "has lost control of the money supply." Reuss perceives at least two dangers to the economy: 1) "a real threat of nourishing inflation in 1978," 2) a deeper stock market slump, because investors may sell shares out of fear that the board will have to slam on the brakes suddenly...

Author: /time Magazine | Title: Business: Faulting the Fed On Money | 9/26/1977 | See Source »

...schoolyard, run-and-gun type of game. It's a well-constructed, deliberate game of jump shots; not full of slam dunks and blocked shots. Basketball is a serious ritualistic thing for kids in the ghetto, and it's such a sham for these kids that they sit in the stands and laugh and I can't say that I blame them...

Author: By David Dalquist, | Title: Bound By the Ivy | 9/16/1977 | See Source »

Watson has now won two of the four events that make up golf's grand slam, having similarly quelled Nicklaus's victory bid at the Masters. The U.S. Open champion Hubert Green finished a distant third, 11 strokes behind Watson's record low aggregate...

Author: By Robert Sidorsky, | Title: British Open: One Good Tourney... | 7/19/1977 | See Source »

...with the picture. Maybe we have been so brainwashed to expect nothing but implausibilities during the dog days that it is hard to respond to a film that takes itself as soberly as this one does. Or maybe we expect something loopier from Friedkin, who prides himself on making slam-bang movies (The Exorcist, The French Connection) that are expertly designed and executed to appeal to us at a low, visceral level. Or-just possibly-Friedkin, despite the noisy response he made to critical hooting over The Exorcist, is answering it with a distinctly muted picture, which takes its material...

Author: /time Magazine | Title: Cinema: Where Did All the Magic Go? | 7/11/1977 | See Source »

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