Word: slapstick
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Dates: during 1940-1949
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...plus a racehorse, a moppet, and Lucille Ball--that's "Sorrowful Jones." And it's good, too, because Hope is not just the joke machine of the "Road" pictures, but a completely developed character from one of Runyon's best stories. True, there's plenty of the old Hope slapstick and a dozen of those gun-in-back wisecracks, but there's also a human being, Sorrowful Jones, the bookie, reacting to everything around him. It's good, moreover, because Lucille Ball Jerks tears with her smile of love and because the moppet, Mary Jane Sanders, carries off some...
...Beautiful Blonde from Bashful Bend {20th Century-Fox} is a wild-eyed jamboree starring Betty Grable and co-starring the explosive, uneven talents of Writer-Director-Producer Preston Sturges (The Miracle of Morgan's Creek). The show is a running battle between sex and slapstick, which to most right-minded Grable fans will seem an impertinent piece of lese majesty...
...slapstick, gotten up as an elaborate spoof of Hollywood westerns, quickly gets out of hand. So does Grable. As a pistol-packing hussy in bustles, Betty takes a potshot at her wayward boy friend (Cesar Romero), nicks instead the wrong end of the local judge. While wriggling out of a jail sentence, she again flies off the handle, again dents the judge in the rear. In the last reel she does it a third time...
...fail to be amusing. You don't have to be a student of the Classics, you don't really need Latin at all to appreciate and guffaw at his comedy. The Marx Brothers and Laurel and Hardy have been successful at the same type of comedy for years, a slapstick variety with humor arising from situation and double-meanings rather than from plot intricacies. That is the type of humor in "The Braggart Warrior." Briefly, a soldier with a bigger mouth than a sword has one woman and would woo another. He keeps the first against her will, while...
...piece itself would be difficult to spoil. Kaufman and Hart's lampooning of Alexander Woolcott and a few of his friends is full of full-step jokes, slapstick, and broad humor. The cast that Directors Miller and Seaver have put around Woolley is adequate in all parts, really capable in only a few; but it played last night to the best of its abilities, muffed no lines, and kept the play going when The Man was offstage...