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Word: slapsticker (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...five burlesque shows a week for 40 weeks a year (enough to make it pretty tiresome), hunts indecency in some 60 to 70 publications weekly. Said he: "After profound consideration, I didn't find anything. . . . lewd [in Esquire']. ... It is in the spirit of good clean slapstick humor and we could all use a little more of it right...

Author: /time Magazine | Title: The Press: The Experts Failed to Blush | 11/1/1943 | See Source »

...says, "is what, you read in the newspapers. . . . All we know about you is what we learn from those big businessmen who live and grow wealthy in Argentina for 30 years without ever learning the language. Or we see your terrible movies-sex, loose women, jazz, gangsters, stupid slapstick comedy. How can you understand us, or we understand you, without effort...

Author: /time Magazine | Title: U.S. At War: Argentine Danzig? | 10/18/1943 | See Source »

This cocky, whip-smart, 260-lb. jumbo could: 1) eat a dozen eggs at a sitting, 2) bat out a brilliant legal opinion with his eyes closed, 3) keep cocktail parties in stitches with slapstick impersonations of Herbert Hoover and Eleanor Roosevelt...

Author: /time Magazine | Title: U.S. At War: Tortist's Retort | 8/16/1943 | See Source »

...comedy role, of Pola Negri, fabulous vamp of the Rudolph Valentino era. Cinemactress "Negri plays a Wagnerian diva (the soprano voice is dubbed in) married to Adolphe Menjou. Clothed in sumptuous black & white, Pola is as vivacious and comely in comedy as she was as a glamor girl. Slapstick permits her to be as violent as ever. When her accompanist in the picture accuses her of "bellowing like a cow," the temperamental tigress fetches him a slap in the puss. When somebody urges her not to become violent over Cinemactor Menjou's alleged infidelities, she cries: "Violent...

Author: /time Magazine | Title: Cinema: New Picture, Jul. 26, 1943 | 7/26/1943 | See Source »

...action that makes "They Got Me Covered" a five-star, on-the-nose, A-1 priority laff fest. Give me Groucho Marx for slapstick and Charlie Chaplin for pantomine. No, Hope is best when he is talking. He has a microphone personality and a master-of-ceremonies approach. Unlike your fat-and-thin combos (Abbot & Costello, Laurel & Hardy, Maxwell & Winchell), with Hope the ceremonies themselves don't seem to matter. Nobody cares what this quipping correspondent is doing; they just want to hear what he has to say about the situation. And from this point of view, "They...

Author: NO WRITER ATTRIBUTED | Title: ENTERTAINMENT | 3/5/1943 | See Source »

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