Word: slapsticker
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Dates: during 1940-1949
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...measure it by its own individual merits--and we can find it wanting. Perhaps this feeling comes because Danny Kaye cannot seem to exude any of the real Mitty atmosphere; perhaps Kaye's species of facial-contortions-and-mouth-noises humor has begun to be rather tedious; perhaps slapstick is still, as always, a poor substitute for wit. Or perhaps the five dream-episodes, (three from the original story), funny as they may be, just don't completely redeem a routine "comedy-mystery"--routine even to the extent of including Boris Karloff...
...Nobel Prizewinner Sinclair Lewis). Bongo is a small circus bear who answers the call of the wild on his unicycle, finds that he is a bit soft and urban for life in the raw, falls for a sexy little taupe she-bear, and engages a gigantic rival in slapstick battle...
...then charged out in a man's size 44 trunks (she takes a woman's size 12), a sweater dyed a "nauseating orange," only one shoe, and a raincap flopping on her red hair. Her racket was warped to about the shape of a spoon. The slapstick tennis lesson began...
...Several of her missteps as a stage neophyte are good for laughs, and there are some funny scenes about moviemaking, in which she is stoutly abetted by William Demarest as a director, by Constance Collier as a high-nosed old ham actress, and by such old masters of journeyman slapstick as Chester Conklin and Snub Pollard. There is some faint hint of the toughness of the people who made the old movies, and a fair suggestion of the way they did their work, like children making up games as they went along...
...many years had its premiere last week. It was Britten's first try at satirical comedy; his first two operas, Peter Grimes and The Rape of Lucretia (TIME, June 9), were both dark and tragic. For the new opera, Albert Herring, Librettist Eric Crozier did a slapstick adaptation of Guy de Maupassant's cynical Le Rosier de Mme. Husson, in which an innocent village bumpkin goes off on a wild, sinful night after being chosen King of the May. Britten scored it for chamber orchestra in his familiar brittle, witty and forcefully dissonant style...