Word: slapsticker
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Conan C. O’Brien ’85, a former writer for “The Simpsons” and current host of NBC’s “Late Night,” got his start in slapstick at the Lampoon. Famously, he was elected into the organization in his freshman fall and earned the title of President two years in a row—a feat accomplished only twice in the Lampoon’s 129-year history. But despite O’Brien’s high-profile role on-camera, it is mostly...
...continued on, in a potentially incriminating vein. “While one viewer might watch WWE and see nothing more than a bunch of steroid-addled actors with gender issues, another person could witness the spectacle and see a modern-day burlesque. There’s melodrama, slapstick humor, sexual ambiguity…frankly, Commedia dell’Arte incorporates most of the same elements...
Even though being an action hero might not be his ultimate career goal (he has just shot a movie about a civil rights--era basketball coach and wants to do a slapstick comedy), Lucas certainly works hard at it. To prep for the role, he went through the Air Force's flight survival-training school, where he was blindfolded and put in a helicopter that was then crashed upside down in the water. "I really got close to extreme panic," he says. "I thought, I'm going to drown. And I'm drowning for a movie...
...talk and often did. When Davis objects to being cast in something called Hollywood Hotel (1937), her withering look can be seen between her lines to him: "I have worked very hard to become known as a dramatic actress," she wrote. "For you to want me to become a slapstick comedy actress ... I cannot understand." The part was recast...
...London in 1984 as a result of injuries sustained in a traffic accident, the American theater lost a director who had staged the U.S. or world premieres of Samuel Beckett's Waiting for Godot and Endgame, Edward Albee's Who's Afraid of Virginia Woolf? and Tennessee Williams' Slapstick Tragedy. Schneider personified the central virtue, and failing, of serious American stage artists: he so prized his integrity that he generally disdained Broadway and mistrusted popular success. He spent most of his later years directing novices at regional or university theaters, rather than have to contend with commercial pressures. Schneider spoke...