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Word: slapstickers (lookup in dictionary) (lookup stats)
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...motivations, and at the end each of them gives his own idea of the moral of the play. Far from being awkward, Wilder's soliloquys present humor with a timing and characterization that are charming and often hilarious. The Matchmaker is, on the whole, an ingenious interweaving of slapstick and intellectual humor...

Author: By Stephen R. Barnett, | Title: The Matchmaker | 11/22/1955 | See Source »

...sideshow nature of the play* makes possible a diversity of insights into the Comédie's methods of production. If much is traditional and even ritualistic, very little seems petrified. In view of interspersed high slapstick of dancing and singing and fencing masters, of ostentatious banquet scenes and staircase serenades, of a Turkish fandango suggesting fraternal-order shenanigans. Le Bourgeois Gentilhomme becomes a varied though lengthy evening. Despite its measure of real low comedy, it retains a kind of ballet air. There is something ceremonious as well as earthy in its laughter, and a pinch of period charm...

Author: /time Magazine | Title: The Theater: Famous Troupe in Manhattan | 11/7/1955 | See Source »

...humor, like all gall, is divided into three parts, 1) slapstick, 2) situation comedies, 3) synthetic shyness. Last week a baker's dozen of high-priced comics was laboring hard in all three varieties spraying each other with Seltzer, spinning out plots as remote from reality as life on the moon, or being browbeaten by guest stars and fellow actors...

Author: /time Magazine | Title: Radio: The Week in Review | 10/24/1955 | See Source »

...results were not always sidesplitting. Martha Raye proved that slapstick can be tasteless with an interminable skit that required Douglas Fairbanks Jr. to pretend that he was madly in love with her (a role often filled last year by Actor Cesar Romero). Jackie Gleason is back with The Honeymooners, but the show is now filmed by the Electronicam method, which Gleason and the system's inventors (Du Mont) insist is just as good as live TV, from the evidence of the first two shows, not all of Gleason's audience will agree: on film, the battles between Jackie...

Author: /time Magazine | Title: Radio: The Week in Review | 10/24/1955 | See Source »

...show's dialogue needs tightening. It continually seems poured in around the catchy scenes and clever jokes as a filler, like cement. Funny situation are set up too obviously. The dialogue holds together only through the skill of the actors, who manage to prevent the humor from degenerating into slapstick...

Author: By H. CHOUTEAU Dyer, | Title: No Time for Sergeants | 10/10/1955 | See Source »

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