Word: slapstickers
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Tell It to the Judge (Columbia) is marital slapstick in which Robert Cummings pursues Rosalind Russell from Florida to the Adirondacks. In the best woman's magazine tradition, it depicts the U.S. male as a kitten and the female as a hyperthyroid tiger. Attorney Russell, as stalwart as the bottom man in a tumbling act, is efficient at everything, while Lawyer Cummings gets knocked out twice (once by Rosalind), skis on his face, wears a kimono and does the cooking. Typical scene: Cummings skittishly trying to sleep alongside a wet Saint Bernard...
...also an old-timer, is a sophisticated piece about a confidence woman and the heir to the fortunes of Pike's Pale, "The Ale that Won for Yale." The dialogue abounds in double entendres of the highest order. At the same time, "The Lady Eve" has its share of slapstick, too. Henry Fonda, as the slow-witted heir, takes no less than nine pratfalls in the course of the movie...
There was a touch of slapstick in the shot of a delegate dozing off during a tedious speech and being fussily wakened by an aide who had noticed that the TV camera was recording the cat nap. Particularly effective on TV is the contrast between the tuned-down but passionate voices of the Iron Curtain delegates, speaking in their native tongues, and the cool, detached accents of the English interpreters giving a running translation of the speeches as they are being made...
...lines and the acting are what raises the picture above the level of all this tripe. Except for two or three lapses into straight slapstick and a somewhat corny climax, the dialogue is consistently sharp, unexpected, and often brilliant. Michael Wilding, as lord and footman, gets just the right blend of cynicism and playfulness, though his eyes do twinkle a bit too much on occasion, Anna Neagle is pleasantly attractive and eager in the female lead, and she also demonstrates that infuriating twinkle. Joshua, portrayed by Tom Walls is a marvelous English-gentleman type, both in word and deed...
...Blue (Paramount) is musical slapstick featuring Betty Hutton who, given a few comic situations and lively rhythms, appears to be a fissionable element exploding into energy and noise...